Makkmat are a grindcore band from Norway and this is their debut album.
Playing grinding powerviolence that’s fast, sharp, and filled with a menacing punk energy, it’s time to strap yourself in and enter the fray with your best armoured post-apocalyptic vehicle. After all, how will you stay safe with Makkmat running around causing chaos and mayhem? Continue reading “Makkmat – Beina Brenner (Review)”
Queensrÿche are a legendary US progressive metal band and this is their 15th album.
This is contemporary heavy/progressive metal, played by talented, veteran musicians that know a thing or two about how to write a good tune. Continue reading “Queensrÿche – The Verdict (Review)”
This is the fifth album from these German thrash metal veterans.
2016’s The Raging Tides was a solid and enjoyable slab of thrash metal, and much the same can be said of Hostile Defiance too. Continue reading “Exumer – Hostile Defiance (Review)”
Blind Monarch are a UK doom band and this is their debut album.
Grim, foul, ugly, rotten, bleak, harsh…these and similar words can all be levelled at Blind Monarch’s colossal 56-minute debut album. Across four towering tracks the band embody all of these negatively charged words and more, all in the quest for the most despairing, hopeless doom they can find. Continue reading “Blind Monarch – What Is Imposed Must Be Endured (Review)”
This is the second album from Italian post-metallers John, the Void.
After the band’s 2014 debut EP they jumped forward in style and quality with 2016’s II, and now they’re back with 48 minutes of new material for the listener to become absorbed in. Continue reading “John, the Void – III – Adversa (Review)”
Wormwitch are a Canadian black metal band and this is their second album.
Heaven That Dwells Within features 46 minutes of black metal that’s accessible, catchy, and memorable, while still retaining underground aesthetics, dark atmospheres, and grim intent. Continue reading “Wormwitch – Heaven That Dwells Within (Review)”
This is the fourth album from UK atmospheric/post-metal band Latitudes.
Having enjoyed 2016’s Old Sunlight, when Part Island made its presence felt I was compelled to sample its delights. I’m glad I did, as Part Island is a stunningly well-realised development of the band’s sound. Continue reading “Latitudes – Part Island (Review)”
This is the debut album from Ceremony of Silence, a Slovakian blackened death metal band.
Dissonant and atmospheric, this is music that’s dense with malignant promise and filled with a form of bleak, otherworldly evil. Continue reading “Ceremony of Silence – Outis (Review)”
March proved to be this year’s strongest month for metal releases yet. I was hard-pressed to keep this list as short as it is, and any of the albums listed below are worthy of your attention. Continue reading “Monthly Overview – the Best of March 2019”
Mord’A’Stigmata are a post-black metal band from Poland and this is their fifth album.
After 2013’s Ansia and 2017’s Hope, I’m a firm fan of what this band produce, and Dreams of Quiet Places is their latest masterpiece. I don’t use that word lightly either. Continue reading “Mord’A’Stigmata – Dreams of Quiet Places (Review)”
Wonderbox Metal 