Mastiff – For All the Dead Dreams (Review)

Mastiff - For All the Dead DreamsThis is the latest EP from UK hardcore/sludge metallers Mastiff.

A new Mastiff release is always something to pay attention to. Since 2019’s Plague I’ve thoroughly enjoyed betting beaten around the head by their brutal heaviness. On 2021’s Leave Me the Ashes of the Earth and last year’s Deprecipice they only seemed to get heavier and nastier. Which brings us to For All the Dead Dreams, which delivers seventeen minutes of punishment for us to soak up. Continue reading “Mastiff – For All the Dead Dreams (Review)”

Fit for an Autopsy/Thy Art Is Murder/Malevolence – The Aggression Sessions – Split (Review)

Fit for an Autopsy Thy Art Is Murder Malevolence - The Aggression SessionsThis is a split between Fit for an Autopsy, Thy Art Is Murder, and Malevolence, who are from the US, Australia, and the UK respectively. It’s the successor of sorts to 2016’s The Depression Sessions. Each band contributes one original and one cover track to this release, which lasts 23 minutes in total. Continue reading “Fit for an Autopsy/Thy Art Is Murder/Malevolence – The Aggression Sessions – Split (Review)”

Nicolas Cage Fighter – The Bones That Grew from Pain (Review)

Nicolas Cage Fighter - The Bones That Grew from PainThis is the debut album from Nicolas Cage Fighter, a metallic hardcore band from Australia.

The promo blurb states that Nicholas Cage Fighter combine “ruthless hardcore, late 90s metal and death metal influences”, which sets the scene nicely for the 37 minutes of material on The Bones That Grew from Pain.

Imagine a mixture of Hatebreed, Pantera, and the groovy aspect of bands like Thy Art Is Murder and Decapitated, and you’ll have a rough idea of where Nicolas Cage Fighter are coming from. They specialise is music that takes the metallic hardcore style from the 2000s and adds in more contemporary influences.

The music is full of energy and muscular heaviness. These songs are designed for the live arena, but are well-written enough to survive outside of their natural environment. Crushing breakdowns, heavy riffs, and roared vocals are the main order of business, and Nicolas Cage Fighter know their trade well. The songs are heavy, angry, are catchier than you might expect, and are just plain fun to listen to.

I like the inclusion of ambient, melodic, and atmospheric elements into the band’s brutal sound. These are only small enhancements to the songs and only appear at select moments, but they add value nonetheless. I also really like the singer’s vocals. They’re well-performed and varied enough to hold interest.

The Bones That Grew from Pain sits nicely next to recent records by Malevolence and Cage Fight. If you are looking for an album to hit the gym to, or just something to go and break stuff to, then this is for you.

A highly recommended slab of crushing heaviness.

Malevolence – Malicious Intent (Review)

Malevolence - Malicious IntentMalevolence are a metal band from the UK and this is their third album.

Malevolence play the sort of groove metal/metalcore hybrid that sounds like it should have been released in the mid-90s. If you take bands like Pantera and Hatebreed, and then throw in a touch of Crowbar, you’ll have a decent reference point for what Malevolence get up to on Malicious Intent; 38 minutes of Continue reading “Malevolence – Malicious Intent (Review)”

Cage Fight – Cage Fight (Review)

Cage Fight - Cage FightThis is the debut album from Cage Fight, a metal/hardcore band from the UK.

Featuring a guitarist from Tesseract and an ex-singer of Eths, Cage Fight are here to smash your face unceremoniously into the concrete, over and over again. Prepare yourself. Continue reading “Cage Fight – Cage Fight (Review)”

Corpsegrinder – Corpsegrinder (Review)

Corpsegrinder - CorpsegrinderThis is the debut album from US death metal solo act Corpsegrinder.

Brought to us by the singer of Cannibal Corpse, (aided and abetted by guest musicians), Corpsegrinder contains 31 minutes of music that combines death metal with elements of thrash metal and hardcore. Continue reading “Corpsegrinder – Corpsegrinder (Review)”

Wear Your Wounds – Rust on the Gates of Heaven (Review)

Wear Your Wounds - Rust on the Gates of HeavenWear Your Wounds are a post-rock band from the US and this is their third album.

Featuring current/ex-members of Converge, The Red Chord, Cave In, Hatebreed, and Trap Them, don’t let these band names fool you – this might not be what you are expecting. Rust on the Gates of Heaven is not a hardcore supergroup. Rather, it’s a 53-minute journey into reflective post-rock waters, and has more in common with bands like Crippled Black Phoenix, Mogwai, Angels of Light, Russian Circles, and, yes, hints of Cave In, than any of the other bands listed. Continue reading “Wear Your Wounds – Rust on the Gates of Heaven (Review)”

Boundaries – My Body in Bloom (Review)

Boundaries - My Body in BloomBoundaries are a metal/hardcore band from the US and this is their latest EP.

Boundaries are heavy. Like, crush your skull into a bloody pulp heavy. Add to this the fact that they can also write a good song, and you have a pretty damn satisfying EP. Continue reading “Boundaries – My Body in Bloom (Review)”

I Am – Life Through Torment (Review)

I AmThis is the debut album from US deathcore band I Am.

Life Through Torment is 28 minutes of aural thuggery that blends groovy heaviness with savage extremity.

Mixing 90s styled metalcore with elements of modern deathcore, this is Continue reading “I Am – Life Through Torment (Review)”