Of Feather and Bone are a death metal band from the US and this is their third album.
This is the follow up to 2018’s brutal Bestial Hymns of Perversion. Of Feather and Bone’s newest album digs deep into the past to produce a grim treasure trove of primal deathly delights. Continue reading “Of Feather and Bone – Sulfuric Disintegration (Review)”
Bleeding Out are a Canadian deathgrind band and this is their debut album.
I like a bit of deathgrind, as it tends to be a melting pot of extremity that can sometimes have very engaging results, as it does with Lifelong Death Fantasy. Combining vicious grindcore with violent hardcore Continue reading “Bleeding Out – Lifelong Death Fantasy (Review)”
This is the latest EP from Sulaco, a grindcore band from the US.
Considering the band’s traditional extreme length between releases, we’re quite privileged, (ahem), to have The Privilege so soon after The Prize. Continue reading “Sulaco – The Privilege (Review)”
This is the debut album from Swedish grindcore band Grid.
I do like me some Swedish grind. Grid play merciless grindcore, with fiery blasts, punishing d-beats, and melodic crust all included in their aggressive formula. I very much liked 2017’s Human Collapse Syndrome, so I had high hopes for Livsleda, and it has not disappointed. Continue reading “Grid – Livsleda (Review)”
Sensory Amusia are an Australian death metal band and this is their latest EP.
Prepare for 17 minutes of mayhem and carnage! Sensory Amusia play modern death metal smashed together with crushing deathcore and savage grind. The end result is a very engaging slice of ferocity, and is a tasty treat of technical deathgrind bliss. Continue reading “Sensory Amusia – Bereavement (Review)”
This is the second album from Soulrot, a death metal band from Chile.
I enjoyed 2017’s Nameless Hideous Manifestations, which was a solid slab of underground Swedish-influenced old-school death metal. Boasting 40 minutes of material, what does Victims of Spiritual Warfare hold for us? Continue reading “Soulrot – Victims of Spiritual Warfare (Review)”
This is the debut EP by US death metallers Tombstoner.
Oh my, what do we have here? This is some very tasty old-school death metal, played with modern flair. It’s not just death metal that we have here, however, as Tombstoner incorporate elements of grind, hardcore, and thrash into their Continue reading “Tombstoner – Descent to Madness (Review)”
Henry Kane is a one-man deathgrind/crust band from Sweden, and this is his second album.
I do enjoy Henry Kane’s work. If you haven’t already, make sure you check out Den Förstörda Människans Rike and the split with Prolefeed. Brought to us by the man-of-a-million-bands Jonny Pettersson, (Ashcloud, Gods Forsaken, Heads for the Dead, Just Before Dawn, Ursinne, Wombbath, and many others), Age of the Idiot is a brutally sublime piece of extremity. Continue reading “Henry Kane – Age of the Idiot (Review)”
As it is every month, April’s releases were a hard bunch to whittle down to just a worthy few. I’ve settled on just the five below to highlight, but be aware that I’ve left out many other damn good records. Continue reading “Monthly Overview – the Best of April 2020”
This is the ninth album from French death metallers Benighted.
Both 2017’s Necrobreed and 2018’s Dogs Always Bite Harder than Their Master were enjoyably brutal, so Obscene Repressed promises much, and delivers too. Continue reading “Benighted – Obscene Repressed (Review)”
Wonderbox Metal 