This is the debut album from Decrepisy, a death metal band from the US.
Across 35 minutes Decrepisy play foul, malignant death metal that’s both old-school and timeless at the same time. The band use doom influences well within their sound, and you can hear a thrash metal edge to some of the less-warped and twisted melodies that are sometimes used. Continue reading “Decrepisy – Emetic Communion (Review)”
This is the debut album from Finnish doom metal band Fimir.
Fimir play traditional doom metal with a modern edge and a somewhat cosmic feel in places. Continue reading “Fimir – Tomb of God (Review)”
King Woman are a doom metal band from the US. This is their second album.
Here we have 41 minutes of atmospheric doom metal, flavoured with aspects of post-metal and shoegaze, as well as some dreampop, and avant-garde tendencies. This means that overall King Woman’s sound is an atypical one, and they’ve successfully managed to carve their own niche in a crowded scene. Continue reading “King Woman – Celestial Blues (Review)”
Towards Atlantis Lights are an international atmospheric doom metal band. This is their second album.
Brought to us by members of Pantheist, Aphonic Threnody, Dea Marica, Arrant Saudade, and Void of Silence, this is the follow up to 2018’s Dust of Aeons, and contains 61 minutes of new material. Continue reading “Towards Atlantis Lights – When the Ashes Devoured the Sun (Review)”
This is the second album from US one-woman blackened doom band Vouna.
Atropos boasts 57 minutes of richly textured doom metal. It’s an old-school brand of doom that’s spliced through with elements of black and Gothic metal, along with cinematic scope, epic grandeur, synth-laden atmosphere, and forlorn Continue reading “Vouna – Atropos (Review)”
Doubtsower is a one-man Welsh doom metal band and this is his debut album.
The songs on Asphyxiation of a Seasick Soul are a collection of impactful doom songs that wield deft emotion alongside crushing riffs. The music is crafted from a form of doom metal that also uses elements from post-metal and post-rock, making for a textured, richly nuanced listening experience. For an initial comparison, think of a mix of Usnea and Isis, with a bit of Yob thrown in, and you’ll get the general idea. Continue reading “Doubtsower – Asphyxiation of a Seasick Soul (Review)”
This is the latest EP from Polish doom/sludge metallers 71TONMAN.
After enjoying 2013’s self-titled debut, and 2017’s much darker Earthwreck, I’m always interested in revisting the apocalyptic shores of 71TONMAN. Continue reading “71TONMAN – War Is Peace // Peace Is Slavery (Review)”
Want metal? Of course you do! Let’s check out some of the best releases from June… Continue reading “Monthly Overview – the Best of June 2021”
This is the debut album from Danish doom metallers Funeral Chasm.
Funeral Chasm play their music slow and with an emphasis on atmosphere. Omniversal Existence takes this starting point and delivers music that combines funeral doom with old-school Gothic doom metal. Add in some elements of first and second wave black metal, especially regarding a taste for expansive keyboards, and you have Funeral Chasm’s debut record. Continue reading “Funeral Chasm – Omniversal Existence (Review)”
This is the fourth album from Year of No Light, a French post-metal band.
Having really enjoyed 2013’s Tocsin, it has been a long wait for another album from Year of No Light, but the wait has been worth it. Across 55 minutes the band expose the listener to an idiosyncratic creative experience consisting of five thoroughly engaging soundscapes. Continue reading “Year of No Light – Consolamentum (Review)”
Wonderbox Metal 