Classic Rock – Wonderbox Metal

Dawnwalker – The Between (Review)

This is the seventh album from UK progressive metal/rock band Dawnwalker.

Dawnwalker are one of those rare bands that genuinely do attempt something different with each release. 2022’s murky, hallucinogenic House of Sand was a massive hit for me, and I loved it. 2024’s follow up The Unknowing was ultimately less to my taste, with its classic prog rock stylings, but still enjoyable nonetheless. So, with that in mind, what does The Between have to offer? Continue reading “Dawnwalker – The Between (Review)”

Frostmoon Eclipse – As Time Retreats (Review)

Frostmoon Eclipse are an Italian black metal band and this is their eighth album.

As Time Retreats is the 41-minute follow up to 2019’s Worse Weather to Come. Since their previous album Frostmoon Eclipse have refined their sound into something quite tasty. If you’re looking for black metal that embraces the core of the 90s second wave, while also simultaneously branching out from it, this is the one for you. Continue reading “Frostmoon Eclipse – As Time Retreats (Review)”

Appalooza – The Emperor of Loss (Review)

This is the fourth album from French heavy rockers Appalooza.

The successor to 2023’s The Shining Son, The Emperor of Loss contains 50 minutes, (with bonus track), of Appalooza’s characterful hard rock. Blending the classic rock, stoner, alternative, and grunge styles together into a collection of compelling songs, Appalooza have once again hit that sweet spot that most modern rock bands easily miss. Continue reading “Appalooza – The Emperor of Loss (Review)”

In the Company of Serpents – A Crack in Everything (Review)

In the Company of Serpents are a doom metal band from the US and this is their fifth album.

I’ve enjoyed watching In the Company of Serpents ply their heaviness over the years. From 2014’s Merging in Light, to 2017’s Ain-Soph Aur, to 2020’s Lux, the band have always put releases out that hit the spot for me. Now, five years after their last album, we have the 44-minute A Crack in Everything to satiate our need for sludge/doom soundscapes. Continue reading “In the Company of Serpents – A Crack in Everything (Review)”

Sarcator – Swarming Angels & Flies (Review)

Sarcator are a Swedish thrash metal band and this is their third album.

Sarcator play a black/death-influenced style of thrash metal, and Swarming Angels & Flies contains 44 minutes of material. Think of a blend of early-period old-school metal in the form of bands such as Kreator, Sarcófago, Sodom, and Morbid Angel, and then blend this with more contemporary acts like Hellripper, Devastator, and Midnight, and you’ll be on the right lines. You can throw in some other refences too at various points, but ultimately, despite the ancient style that underpins this album, it’s remarkably fun and fresh sounding. Continue reading “Sarcator – Swarming Angels & Flies (Review)”

The Infernal Sea – Hellfenlic (Review)

The Infernal Sea are a black metal band from the UK and this is their fourth album.

Following on from 2015’s The Great Mortality and 2020’s Negotium Crucis, Hellfenlic contains 43 minutes of new material for us to eagerly get our grubby hands on. To me, The Infernal Sea are a standout band in the UK scene, and Hellfenlic simply reinforces their exalted status. Continue reading “The Infernal Sea – Hellfenlic (Review)”

Featuring a member of Visigoth, First Sighting provides us with a 33-minute journey into the past. First Sighting is a well-written slab of traditional heavy metal. The band ply their trade with passion and obvious skill, and the Continue reading “Blood Star – First Sighting (Review)”

Hail the Void – Memento Mori (Review)

Hail the Void are a doom/stoner metal band from Canada and this is their second album.

Memento Mori is a doom metal record that pays homage to the classic style, while delivering an experience that 2023 should be pleased to host. Continue reading “Hail the Void – Memento Mori (Review)”

Tag: Classic Rock