If you’re a fan of ugly, blackened dissonance, then Endinghent is definitely an album you should check out. Continue reading
After a decade of nothing, we now witness the rebirth of Arkhon Infaustus. The creature that has come crawling back out of the underworld is a fresh, reinvented version of the older one that so many people held highly, however. Continue reading
My last encounter with Arroganz was their previous 2014 album Tod & Teufel, and now they have returned with a new slab of dark music, but one that has seen the band undergo a blackened metamorphosis of sorts. Continue reading
Hot on the heels of last year’s impressive debut album The Plight of Wanderers, Uhtcearu clearly aren’t interested in resting on their laurels as we already have a new album from them. Not that I’m complaining, as their debut album was one of the more notable and enjoyable releases of 2016. Continue reading
Possession play malevolent, evil black metal with some old-school death metal and doom elements. Continue reading
Mordant play a hybrid black/death style that takes influence from the Swedish melodic scene. Continue reading
Their fourth album Verses of Fire was 61 minutes of top quality Extreme Metal and was a welcome experience that was a slight change of direction from their earlier, purer Black Metal approach. That album brought more Death Metal influences into the mix, although their Blackened side was still a huge component in their sound.
Fast-forward to 2015 and Mysterium relegates the Death Metal influences to the back seat and their Black Metal roots get to set the direction once more. This is not the more primitive Black/Thrash of their older work though; this is more refined, epic and gloriously sophisticated in its realisation. As such, the songs are generally longer and more involved than their previous averages, and the thick dark aura of the songs is cloying with its aggressive malevolence.
This release is full of Blackened riffs, blasting fury and evocative melodies. There’s a driving majesty that underpins each of the tracks on this album, so regardless of the particular style of music that makes up any given section it’s holistically all brought together by an iron will and a coherent vision. This shouldn’t give the impression of an album that’s “all-over-the-place” or struggling to find an identity as there’s none of that here. Rather, this is sophisticated Black Metal that still takes influences from Death and Thrash Metal, but they’re subsumed into the overarching Blackened style and whatever the band does with these influences is consistent and reasonable within the confines of their sound.
These songs are well-written advanced exemplars of the style and each one brings something extra to the table.
The vocals are dark growling screams, perfectly suited to the environment they find themselves in.
The production of the album is a strong one; it’s huge and powerful yet manages to maintain the feeling of raw, restrained chaos and fettered Blackened evil that the songs exude as easily as breathing.
I was a fan of Versus of Fire, but this is better. The progression of their sound is welcome and it seems that Temple of Baal are one of those bands that are always looking to better themselves and to see what they can do better or different next time. It’s not a massive change in style, of course, but it’s enough to make Mysterium into an extremely compelling and engaging listen.
Overall, this album is a triumph and really, really strong. However, there are times on this release when they really outdo themselves. Sometimes, when the drums are blasting, the rhythm guitars are full of emotive darkness and the leads are exotic and powerful…well…it’s just a hair-raising experience.
Great stuff. I’m very happy with Mysterium.