Starless Domain are a US black metal band and this is their second album.
If you’re wondering where you know the name Starless Domain from, it’s only earlier this year on the band’s debut record EOS was released. Apparently they’re not interested in resting on their laurels, as only a few months later they now give us ALMA. Continue reading “Starless Domain – ALMA (Review)”
This is the fifth album from US black metal band Falls of Rauros.
After 2014’s very strong Believe in No Coming Shore, and then 2017’s Vigilance Perennial, which was even stronger, we now turn to Patterns in Mythology. Have the band managed to continue their upward trajectory? Continue reading “Falls of Rauros – Patterns in Mythology (Review)”
This is the second album from False, a black metal band from the US.
Portent contains 41 minutes of atmospheric, melodic black metal. Effortlessly combining USBM with the old-school Norwegian variety, False have crafted an album that moves beyond either individual style. Continue reading “False – Portent (Review)”
Immortal Bird are a blackened deathgrind band from the US. This is their second album.
Finally we have the follow up to 2015’s Empress/Abscess, which was one of the more notable releases of that year for me. Ahh, it’s nice to hear the band’s atypical intensity back. It sounds better than ever too, with a well-rounded production that is fuller and warmer than in the past. Continue reading “Immortal Bird – Thrive on Neglect (Review)”
Phew. After the metallic overload of the past couple of months, June was a bit calmer. Having said that, I have a great selection of releases for you to salivate over, and I still had to cut a few for the sake of brevity that are definitely worthy of inclusion. Anyway, it’s on with the show! Continue reading “Monthly Overview – the Best of June 2019”
Appearing from the ashes of Aetherium Mors, Itheist’s self-titled debut album stokes the fire of molten black metal, and forges it into creative blackened structures that twist and turn in unusual and interesting ways. It’s a very enjoyable record, one which I wanted to dig a bit deeper into. So here we are, with the band kindly providing some insights into their existence… Continue reading “Interview with Itheist 2019”
Burial in the Woods is a one man blackened doom band, and this is his debut album.
Brought to us by the mastermind behind Asche der Welten, this new project’s debut release features four tracks in total. The first three each clock in at 7-9 minutes each, while the last is an imposing 24 minutes. At 49 minutes in total, Church of Dagon is a diverse and inventive listen, one which is definitely worth experiencing. Continue reading “Burial in the Woods – Church of Dagon (Review)”
This is the fifth album from Yellow Eyes, a black metal band from the US.
Yellow Eyes play modern black metal, raw and underground. Theirs is a bleakly charismatic form of blackened expression, one which provides the listener with many facets to explore throughout its 46-minute playing time. Continue reading “Yellow Eyes – Rare Field Ceiling (Review)”
Ashbringer are an atmospheric black metal band from the US and this is their third album.
Ashbringer’s black metal combines aggressive blackness with melodic sensibilities and folk-influenced post-rock reflection. Elements of bands such as Fen, Agalloch, Falls of Rauros, Amiensus, and Alcest can be heard, but moulded and channelled through Ashbringer’s own collective experiences and personality. Continue reading “Ashbringer – Absolution (Review)”
This is the debut release from Unknown Artist, a French extreme metal band.
What on earth is this unholy abomination? A single 28-minute track of utter nastiness and horror, that’s what. Complex and impenetrable, this is disjointed, inaccessible blackened death metal, and is not for the weak of heart. Continue reading “Unknown Artist – A Pig’s Head on a Stick (Review)”
Wonderbox Metal 