Asarhaddon – Reysa (Review)

Asarhaddon - ReysaAsarhaddon are a black metal band from Germany and this is their debut album.

This is music that takes the melodic and atmospheric aspects of black metal and uses them wisely, crafting songs that have emotional weight and textured appeal. Continue reading “Asarhaddon – Reysa (Review)”

Baume – Un Calme Entre les Tempêtes (Review)

Baume - Un Calme Entre les TempêtesBaume is a one-man post-black metal band from France, and this is his latest release.

I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”

Enevelde – Enevelde (Review)

Enevelde - EneveldeEnevelde is a one man Norwegian black metal band, and this is his debut album.

Containing 36 minutes divided up into four tracks, this is an album of atmospherically-enhanced melodic aggression, filled with emotive delivery and compelling songwriting. Continue reading “Enevelde – Enevelde (Review)”

Árstíðir Lífsins – Saga á tveim tungum II: Eigi fjǫll né firðir (Review)

Arstidir Lifsins - Saga IIÁrstíðir Lífsins are an international, (Germany/Iceland), black metal band, and this is their fifth album.

Here we have 74 minutes of pagan black metal, incorporating elements of the atmospheric, folk, and ambient styles. Continue reading “Árstíðir Lífsins – Saga á tveim tungum II: Eigi fjǫll né firðir (Review)”

Afsky – Ofte Jeg Drømmer Mig Død (Review)

Afsky - Ofte Jeg Drømmer Mig DødAfsky is a one-man Danish black metal band and this is his second album.

Ofte Jeg Drømmer Mig Død is the follow up to the very enjoyable Sorg from 2018, and contains 46 minutes of new material. Mixing small parts of folk and doom into a traditional black metal approach, this is a melancholic and emotive take on the blackened style. Continue reading “Afsky – Ofte Jeg Drømmer Mig Død (Review)”

Winterfylleth – The Reckoning Dawn (Review)

Winterfylleth - The Reckoning DawnWinterfylleth are a UK black metal band and this is their seventh album.

My first introduction to Winterfylleth was with last year’s The Siege of Mercia, which I really enjoyed. As such, I knew I had to check out The Reckoning Dawn when it appeared. Continue reading “Winterfylleth – The Reckoning Dawn (Review)”

Golden Light – Sacred Colour of the Source of Light (Review)

Golden Light - Sacred Colour of the Source of LightThis is the debut album from Golden Light, a black metal band from the US.

Although a new project, featuring the artists behind bands such as Njiqahdda and Crown of Asteria, this is black metal delivered by people that know what they’re doing. Continue reading “Golden Light – Sacred Colour of the Source of Light (Review)”

Khôra – Timaeus (Review)

Khôra - TimaeusThis is the debut album from Khôra, a black metal band.

Featuring a member of Dødheimsgard, and so many guests it’s quite remarkable, (mainly on vocals or keyboards, and from bands such as …And Oceans, Amiensus, Dødheimsgard, Finntroll, Nòtt, and Moonsorrow), a lot of talent and experience has gone into Timaeus. Continue reading “Khôra – Timaeus (Review)”

Monthly Overview – the Best of March 2020

Lots to choose from this month, so narrowing it down to just a handful of releases was not easy… Continue reading “Monthly Overview – the Best of March 2020”

Dodenbezweerder – Vrees de Toorn van de Wezens Verscholen Achter Majestueuze Vleugels (Review)

Dodenbezweerder - Vrees de Toorn van de Wezens Verscholen Achter Majestueuze VleugelsThis is the debut album from Dodenbezweerder, a black metal band from the Netherlands.

Containing the very prolific artist behind Gnaw Their Tongues, (and many, many other bands and projects), Dodenbezweerder offer up 38 minutes of raw blackened nightmare. Continue reading “Dodenbezweerder – Vrees de Toorn van de Wezens Verscholen Achter Majestueuze Vleugels (Review)”