Here we have 42 minutes of atmospheric black metal in the vein of the 90s second wave. The promo blurb mentions bands such as Darkthrone, Mayhem, Burzum, Drudkh, and Windir, and these influences are well-represented Continue reading “Fuath – II (Review)”
The melodic and atmospheric forms of black metal collide and collude on Triade I: Eos to produce 45 minutes of concept-themed music. Continue reading “Aara – Triade I: Eos (Review)”
The artist behind Mare Cognitum is one of the absolute best in the genre when it comes to atmospheric black metal. I’ve had the pleasure of reviewing Phobos Monolith, Luminiferous Aether, and last year’s colossal Wanderers: Astrology of the Nine – Split with Spectral Lore, and his stellar Continue reading “Mare Cognitum – Solar Paroxysm (Review)”
This is the sixth album from Australian one-man black metal act Midnight Odyssey.
The second part in a trilogy, (the first part being 2019’s exceptional Biolume Part 1 – In Tartarean Chains), Biolume Part 2 – The Golden Orb contains a massive 102 minutes of material.
As far as Februarys go, I found February 2021 to be quite exceptionally high in quality when it came to metal albums. Let’s dive in to some of the best from last month… Continue reading “Monthly Overview – the Best of February 2021”
Having followed Hænesy from their debut album Katruzsa in 2018 to their 2019 split with Moondweller, I was keen to hear some new material from the band. Enter Garabontzia, which contains 44 minutes of the stuff. Continue reading “Hænesy – Garabontzia (Review)”
Jours Pâles have an interesting and in some ways non-standard sound. Not because they’re especially avant-garde or experimental, but because of the way that they combine a few different ingredients from different musical brews into something of their own making. Continue reading “Jours Pâles – Éclosion (Review)”
Here we have a single 30-minute track that’s a mix of atmospheric and post-black metal. The track is a nature-influenced apocalyptic soundscape that combines elements from the Cascadian style of black metal with mournful post-metallic aspects. Continue reading “Aylwin – The Arch Holder (Review)”
Temple of Khronos offers a dark mix of atmospheric, progressive, and psychedelic black metal. It’s as if the classic style that we know and love has been mutated and warped into something even darker and more malefic. Continue reading “Spire – Temple of Khronos (Review)”
I always enjoy a new Harakiri for the Sky record. Both 2016’s III: Trauma and 2018’s Arson were first-rate albums from a first-rate band, and Mӕre is no different. Continue reading “Harakiri for the Sky – Mӕre (Review)”