This is the second EP from Italian atmospheric black metal band Ashlands.
Here we have an 18-minute EP featuring two intro/interlude-style tracks and two more standard songs. Continue reading “Ashlands – Ashlands II (Review)”
This is the second EP from Italian atmospheric black metal band Ashlands.
Here we have an 18-minute EP featuring two intro/interlude-style tracks and two more standard songs. Continue reading “Ashlands – Ashlands II (Review)”
Lik are a Swedish death metal band and this is their third album.
Following on from 2018’s hugely enjoyable Carnage, Lik, (Featuring members of Witchery and Katatonia), now return with another 40 minutes of bloodsoaked material. Continue reading “Lik – Misanthropic Breed (Review)”
Alpha Wolf are an Australian metalcore band and this is their second album.
Here we have a 36-minute chunk of modern heaviness. This is the heaviest of metalcore, so much so that it borders on deathcore in places. Mixed in with this are aspects of djent and nu-metal, as well as modern hardcore/metal elements in general. Continue reading “Alpha Wolf – A Quiet Place to Die (Review)”
This is the second album from French black metallers Vous Autres.
Vous Autres’ black metal has a strong sludge metal undercurrent flowing through it, and it’s a combination that has produced an album of sublime merit. Continue reading “Vous Autres – Sel de Pierre (Review)”
This is the third album from Uada, a black metal band from the US.
Bursting at the seams with 60 minutes of ambitious, energetic material, Djinn is melodic black metal played by a talented band that know how to write the style. Clearly influenced by the classic blackened style, Uada have taken these influences and channelled them into music that has its own personality and character. Continue reading “Uada – Djinn (Review)”
Svalbard are a crust/hardcore band from the UK and this is their third album.
The follow up to 2018’s It’s Hard to Have Hope, I was not expecting just how good When I Die, Will I Get Better? is.
This is an album where Continue reading “Svalbard – When I Die, Will I Get Better? (Review)”
This is the ninth album from German progressive metal band The Ocean.
The follow up to 2018’s Phanerozoic I: Palaeozoic, this sister album was always going to be immense and hugely anticipated. Continue reading “The Ocean – Phanerozoic II: Mesozoic | Cenozoic (Review)”
This is the debut album from French one-man black metal act Crépuscule d’Hiver.
Par-Delà Noireglaces et Brumes-Sinistres contains 69 minutes of music that combines atmospheric black metal with dungeon synth, creating an engaging journey into medieval times for the listener to become immersed in. Continue reading “Crépuscule d’Hiver – Par-Delà Noireglaces et Brumes-Sinistres (Review)”
This is the second album from Belgian death metallers Carnation.
Having really enjoyed 2018’s Chapel of Abhorrence, it’s with high expectations that I turned to Where Death Lies. It turns out they the band have exceeded these expectations with ease. Continue reading “Carnation – Where Death Lies (Review)”
Lacittàdolente are an Italian-based mathcore band, and this is their debut album.
Mathcore, hardcore, and metalcore collide across 27 minutes of music. Salespeople put me in mind of the past quite strongly, while also keeping a firm eye on the here and now. Continue reading “Lacittàdolente – Salespeople (Review)”