This is the sixth album from Grey Skies Fallen, a progressive/melodic doom band from the US.
Following on from 2014’s The Many Sides of Truth and 2020’s Cold Dead Lands comes Molded by Broken Hands, which contains 48 minutes of new material. Continue reading “Grey Skies Fallen – Molded by Broken Hands (Review)”
This is the third album from Isenordal, a doom metal band from the US.
Brought to us by members of Dead to a Dying World and Wilt, Requiem for Eirênê contains 56 minutes of expressive doom metal. Isenordal play a multifaceted style that combines elements of funeral doom, black metal, and neofolk. Requiem for Eirênê is an album that’s rich in evocative layers. Continue reading “Isenordal – Requiem for Eirênê (Review)”
Fall of Leviathan are a Swiss post-metal band and this is their debut album.
In Waves is a 56-minute journey through instrumental soundscapes that has cinematic scope and an ambitious presence. The promo blurb mentions bands like Neurosis, Mogwai, Mouth of the Architect, Rosetta, and Russian Circles, which sets the scene nicely for Fall of Leviathan’s sound. Continue reading “Fall of Leviathan – In Waves (Review)”
This is the debut EP from US doom band Guiltless.
What do we have here then? A new band featuring members of Intronaut, Generation of Vipers, A Storm of Light, IIVII, and Battle of Mice? How supremely enticing. Thorns contains 24 minutes of music, and showcases Guiltless’ brand of nihilistic darkness well. Continue reading “Guiltless – Thorns (Review)”
This is the fourth album from Greek doom/sludge metal band Sun of Nothing.
Well, it’s been a while since I’ve heard from Sun of Nothing – well over a decade in fact – so Maze appearing unheralded into my world was really unexpected, although greatly welcomed. If you’re unfamiliar with the band’s blackened sludge metal horror, then I can heartily recommend their entire discography to you. Continue reading “Sun of Nothing – Maze (Review)”
This is the debut album from Italian blackened doom metal band Ponte del Diavolo.
Okay, so here we have something quite interesting. When the promo blurb mentions both Electric Wizard and Darkthrone, you know it’s one to take an interest in. I will say that this doesn’t fully cover what you’ll find on Fire Blades from the Tomb though, so I’ll also mention here bands such as Messa, King Woman, Vanishing Kids, and Siouxsie and the Banshees, to give a broader impression. Continue reading “Ponte del Diavolo – Fire Blades from the Tomb (Review)”
This is the second album from US death/doom band Spectral Voice.
Featuring members of Black Curse and Blood Incantation, Spectral Voice play the sort of humungous death doom that crushes mountains and destroys villages. Sparagmos boasts 46 minutes of material that’s as distressing as it is rewarding. Continue reading “Spectral Voice – Sparagmos (Review)”
This is the debut album from Angmodnes, a funeral doom band from the Netherlands.
Rot of the Soul is a 55-minute journey into funeral doom misery and woe. The music of Angmodnes is engrossing and immersive, covering the listener in layers of rich darkness and compelling atmosphere. Continue reading “Angmodnes – Rot of the Soul (Review)”
This is the debut album from German post-blackened doom metal band Cosmic Void.
Subterranean Rivers contains 61 minutes of material that brings together black, doom, and post-metal influences into a compelling whole. For a starting point for what you can expect to encounter on Subterranean Rivers, imagine a combination of bands such as Cult of Luna, Enslaved, Minsk, Mizmor, Ruins of Beverast, and Amenra. Continue reading “Cosmic Void – Subterranean Rivers (Review)”
This is the debut album from US post-metal band Guhts.
Guhts play post-metal that benefits from avant-garde, sludge, doom, and shoegaze elements that allow the band to build and sustain compelling musical vistas over time. It’s all about emotion and atmosphere with Guhts, and across 46 minutes Regeneration is soaked to the core with feeling. Continue reading “Guhts – Regeneration (Review)”
Wonderbox Metal 