This is an album of expressive, minimalist soundscapes; Electronica fused with a cinematic, Sci-Fi quality that seeps from the tracks like a foreboding aura.
Stylistically this is the moody spiritual sibling of Celestite by Wolves in the Throne Room. The feeling is that with Celestite you’re gazing up at the heavens, marvelling at the vastness of the universe, while with Colony you’re surrounded by space in the cold, empty embrace of the cosmos.
You really do feel like you’re on a derelict space station orbiting Saturn, with the crushing enormousness of the galaxy weighing down on you. You’re watching, waiting, feeling.
Colony is oddly moving, with each song acting as its own narrative while still remaining part of a larger story-arc. The music shapes the listener’s emotions as it progresses, drawing you in, ever closer, until you feel like you’re right in the midst of the darkness. With pretty much everything designed to give the impression of cosmic wonder and isolation, Colony succeeds on every level.
The cover art is somewhat of a perfect visual representation of the music in many ways. In fact, IIVII is crying out for a visual aspect to accompany the music. It’s not that the music isn’t enough on its own, (it is), it’s more that it has an entire other level to offer the listener; a visual medium to enhance the soundtrack.
This is expertly judged, with each track really giving the impression of a far-flung, lonely colony, adrift in the endless night. It’s the perfect soundtrack for its science fiction-theme.
Perfect for lonely, dark nights.