This is the seventh album from Revocation, a US death metal band.
Following up 2016’s enjoyable Great Is Our Sin, this is Revocation’s darkest and most aggressive work so far. Over their existence the band have managed to balance their death and thrash metal influences in an effective ratio, with Continue reading “Revocation – The Outer Ones (Review)”
Aborted are a death metal band from Belgium and this is their tenth album.
Aborted are one of my favourite death metal bands. Their combination of utter brutality, sickeningly groovy riffs, very charismatic vocals, and memorable songwriting has taken them far and wide over the years. Although some of their output has varied in quality, they always deliver the goods in one way or another. Continue reading “Aborted – Terrorvision (Review)”
Heads for the Dead are an international death metal band and this is their debut album.
Here we have another death metal supergroup of sorts from the always reliable Transcending Obscurity Records. Featuring the vocalist of the very tasty Revel in Flesh and the multi-talented Jonny Pettersson, (Ursinne, Ashcloud, Henry Kane, Just Before Dawn, Wombbath, and others), Serpent’s Curse gives us 36 minutes of horror-themed old-school death metal. Continue reading “Heads for the Dead – Serpent’s Curse (Review)”
This is the latest album from US death metal band Pyrexia.
2013’s Feast of Iniquity was an enjoyable enough slab of devastation, but one that ultimately, after repeat listens, fell short in many regards. Unholy Requiem, however, blasts and grooves its way into the world with a renewed sense of passion and furore. The Pyrexia of 2018 clearly mean business. Continue reading “Pyrexia – Unholy Requiem (Review)”
This is the 12th album from the veteran death metal band Deicide.
Yes, legendary death metallers Deicide have returned with their latest album Overtures of Blasphemy; 38 minutes of blistering aggression. Continue reading “Deicide – Overtures of Blasphemy (Review)”
This is the debut album from Malthusian, a blackened death metal band from Ireland.
Malthusian play a twisted, nightmarish form of blackened death metal. Across these 41 minutes the band show what they’re capable with controlled chaotic force and malignant intention. It’s cavernous, monstrous, claustrophobic, and downright nasty. Continue reading “Malthusian – Across Deaths (Review)”
Creeping Flesh are a Swedish death metal band and this is a compilation album of their previous work.
This collection contains 2014’s Unravelled by War, 2015’s Rising Terror, and 2016’s Scorched. I don’t normally review compilation releases like this, especially if I’ve covered some of the music previously, but I wanted to highlight In Times of War as I like Creeping Flesh a lot.
This is only Continue reading “Creeping Flesh – In Times of War (Review)”
This is the fifth album from German death metallers Stillbirth.
This is unrelentingly brutal death metal, the variety that uses plenty of slam and deathcore influences to batter and bruise across the 44 minutes of material here. Elements of ferocious grindcore and modern death metal can also be heard. Continue reading “Stillbirth – Annihilation of Mankind (Review)”
Carnation are a death metal band from Belgium and this is their debut album.
Carnation play old-school death metal, and on their debut album they offer up 48 minutes of the stuff to the death metal gods. Continue reading “Carnation – Chapel of Abhorrence (Review)”
Cast the Stone are a death metal band from the US and this is their latest EP.
An EP this may be, but we still get a meaty 27 minutes of material to tear into. Featuring current and ex-members of bands such as Scour, Cattle Decapitation, and Misery Index, (among others), this release draws on the individual band members’ experience, but easily stands as its own distinct entity. Continue reading “Cast the Stone – Empyrean Atrophy (Review)”
Wonderbox Metal 