Aenimus are a modern death metal band and this is their second album. They are from the US.
Aenimus fuse a range of different styles into their modern death metal. It’s progressive and technical, and takes parts of the djent and deathcore styles into itself quite easily. The music twists and turns with a futuristic Continue reading “Aenimus – Dreamcatcher (Review)”
Hiss from the Moat are an Italian blackened death metal band and this is their second album.
It’s been quite a while since 2013’s Misanthropy was released, but it made a very good impression on me, so its follow up, The Harrier, is a record I was pleased to see make its way into my hands. Continue reading “Hiss from the Moat – The Harrier (Review)”
This is the latest EP from Balarus death metallers Relics of Humanity.
Boasting six tracks in seventeen minutes, Obscuration is packed with brutal death metal savagery. Continue reading “Relics of Humanity – Obscuration (Review)”
Ad Patres are a French death metal band and this is their second album.
Well, this one has been an extremely highly anticipated release here at Wonderbox Metal. The band’s 2012 debut Scorn Aesthetics is simply a wonderful death metal album. If you haven’t checked it out then I strongly urge you to, as it’s 32 minutes of brutal heaven. Strong words I know, but Continue reading “Ad Patres – A Brief Introduction to Human Experiments (Review)”
This is the debut album from US death metallers Ossuarium.
Ossuarium play old-school death metal with a corrupting doom influence, so much so that to term this death/doom wouldn’t be completely inappropriate. Continue reading “Ossuarium – Living Tomb (Review)”
Kromorth are a death metal band from Brazil and this is their debut album.
This is 32 minutes of brutal, relentless death metal. It’s raw and underground, and displays an instant character that I can’t help but warm to. There’s an obvious passion of delivery here that comes off the music in spades. Kromorth really love what they do. Continue reading “Kromorth – Geodesic Beast (Review)”
Desecravity are a Japanese death metal band and this is their third album.
Desecravity play technical death metal that’s ultra-brutal and exceedingly violent, and that’s putting it mildly. Continue reading “Desecravity – Anathema (Review)”
Hekata are a Russian death metal band and this is their debut album.
Hekata play a virulent mix of death metal, black metal, hardcore, crust, and grind. It’s quite the mix, and essentially results in songs that merge these influences into blackened slabs of Scandinavian-influenced deathcrustcore. Or something. You get the idea, I’m sure. Continue reading “Hekata – Ruin (Review)”
Altarage are a Spanish blackened death metal band and this is their third album.
2017’s Endinghent was a contagious plague of ugly blackened dissonance, and The Approaching Roar provides us with a brand new 43 minutes of dark intensity and malignant hatred. Continue reading “Altarage – The Approaching Roar (Review)”
Cóndor are a Colombian death/doom/heavy metal band and this is their fourth album.
Cóndor, (with members of Siete Lagunas), play a beguiling and personable mix of death metal and classic doom/heavy metal, at least musically. Vocally, we’re firmly in the territory of formidably daemonic harsh growls for most of the time, (we also get the occasional spoken word part and clean singing on the final song, the folky title track). Continue reading “Cóndor – El Valle del Cóndor (Review)”
