This is the fifth album from international black metal band Order of Nosferat.
I was introduced only last year to Order of Nosferat on their split with Lunar Spells, and I fell for them hard. Given the chance to explore a full album of their vampiric black metal supremacy, how could I resist? Continue reading “Order of Nosferat – The Absence of Grace (Review)”
Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.
Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”
Khold are a Norwegian black metal band and this is their eighth album.
Du Dømmes til Død contains 33 minutes of black metal that’s primitive and deadly. Khold’s latest release hits the spot nicely. Continue reading “Khold – Du Dømmes til Død (Review)”
This is the fourth album from US death metal band Brodequin.
Harbinger of Woe contains 32 minutes of furious brutal death metal. It’s the first album since 2004’s merciless Methods of Execution, and Brodequin are back to make up for lost time. Continue reading “Brodequin – Harbinger of Woe (Review)”
This is the fifth album from Italian death metallers Hideous Divinity.
I do enjoy Hideous Divinity‘s brand of technical brutality. 2014’s Cobra Verde, 2017’s Adveniens, and 2021’s LV-426 were all solid slabs of death metal muscle and intricate aggression, so it’s with expectation that we turn to Unextinct and its 51 minutes of new material. Continue reading “Hideous Divinity – Unextinct (Review)”
This is the third album from death/doom band Hamferð, who are from the Faroe Islands.
2018’s Támsins Likam is a tough album to follow. A long six years later, can Hamferð’s newest release – the 44-minute Men Guðs Hond er Sterk – match up to just how good its predecessor is? Continue reading “Hamferð – Men Guðs Hond er Sterk (Review)”
This is the debut album from Slovakian death metal band Hecatoncheir.
Hecatoncheir play dissonant death metal, with a sharp blackened edge, and an injection of harsh sludge venom. Nightmare Utopia is a 32-minute album of abrasive nastiness, in the best of ways. Fans of bands such as Convulsing, Deathspell Omega, Ingurgitating Oblivion, Nightmarer, and Ulcerate will not want to miss this. Continue reading “Hecatoncheir – Nightmare Utopia (Review)”
Stress Angel are a death/thrash metal band from the US and this is their second album.
Punished by Nemesis contains 40 minutes of atavistic metal that’s easy to enjoy. It’s all scorching riffs, pounding drums, and fierce attitude. What’s not to like? Stress Angel have a natural charisma, and this album is loads of fun. Continue reading “Stress Angel – Punished by Nemesis (Review)”
This is the debut album from US death metal band Wounds.
Wounds play technical death metal and Ruin boasts 30 minutes of face-ripping material. Brought to us by a band that are clearly adept in the killing arts, Ruin is ready to blast off. Continue reading “Wounds – Ruin (Review)”
Imperatus are a Vietnamese black metal band and this is their debut album.
Imperatus play second wave black metal that’s spiced up with thrash and death metal flavouring. The promo blurb states that this is for fans of Marduk, Immortal, Nordjevel, and Dark Funeral, which sets the scene nicely for what At the Mercy of the Wind has to offer. Continue reading “Imperatus – At the Mercy of the Wind (Review)”
Wonderbox Metal 