This is the fourth album from Italian hardcore band If I Die Today.
If I Die Today play hardcore with lashings of sludge and post-metal, resulting in a post-hardcore whirlwind of violence and catharsis. Across eight tracks the band demonstrate their ability in no uncertain terms. The Abyss in Silence is a 23-minute underground gem. Continue reading “If I Die Today – The Abyss in Silence (Review)”
This is the sixth album by US alternative rock band Helms Alee.
It turns out that a member of Helms Alee was in Harkonen. I loved 2002’s Shake Harder Boy, so it’s great to hear his work once more, albeit in an indirect altered fashion. Continue reading “Helms Alee – Keep This Be the Way (Review)”
Introtyl are a Mexican death metal band and this is their second album.
Introtyl play pure, 90s-influenced old-school death metal, and do so with skill. The band deliver eight songs in 31 minutes, and don’t mess around. Think along the lines of Monstrosity, Deicide, and Suffocation, and you’ll be on the right lines. Continue reading “Introtyl – Adfectus (Review)”
This is the second album from Italian stoner rock band Slowtorch.
The Machine Has Failed contains 37 minutes of hard rocking stoner rock fun. Tailor-made for fans of bands like Clutch, Corrosion of Conformity, and Orange Goblin, the album has riffs, hooks, and good tunes aplenty. Continue reading “Slowtorch – The Machine Has Failed (Review)”
This is the latest EP from UK metal act Heriot.
Heriot play an interesting and diverse style of music that combines metallic sludge heaviness with hardcore fury and industrial harshness. Heriot don’t really sound like any one band, and it’s great to hear music like this that isn’t concerned with genre boundaries. Continue reading “Heriot – Profound Morality (Review)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
Dreariness is a project born in 2012 for the need to untie the deepest knots of our soul with our music. In these ten years our music has changed due to our individual paths, we have grown musically and personally. We simply want to convey, through our music, what lies within Continue reading “Standard Interrogation Techniques: Five Questions for Dreariness (Interview)”
Pyreship are a post-metal band from the US and this is their second album.
This is my first encounter with Pyreship after hearing and enjoying their contribution to their split with Forming the Void. The band appear to have picked up Continue reading “Pyreship – Light Is a Barrier (Review)”
This is the debut album from Freja, an atmospheric black metal band from the Netherlands.
Featuring a member of Laster, Tides contains 39 minutes of ethereal atmospheric black metal.
The music is layered with emotive Continue reading “Freja – Tides (Review)”
This is the third album from US death metallers Sentient Horror.
My long-standing love affair with old-school Swedish death metal has begun to wane in the last couple of years. Where I was once easily pleased, I am now much less so, and I seek the style out far less than I used to. However, Sentient Ruin’s Rites of Gore has rubbed me up the right way, so it Continue reading “Sentient Horror – Rites of Gore (Review)”
Undeath are a death metal band from the US and this is their second album.
I thoroughly enjoyed 2020’s Lesions of a Different Kind, so now that the band are back with 36 minutes of festering new material, I’m ready. At least, I though I was; It’s Time...to Rise from the Grave is better than I could have hoped for. Continue reading “Undeath – It’s Time...to Rise from the Grave (Review)”
Wonderbox Metal 