Orphaned Land – Unsung Prophets & Dead Messiahs (Review)

Orphaned LandOrphaned Land are a progressive folk metal band from Israel and this is their sixth album.

Orphaned Land play music that’s inspired and influenced by Middle Eastern melodies and ideas. These elements are skilfully woven into the band’s progressive metal in natural, effortless ways, resulting in characterful and Continue reading “Orphaned Land – Unsung Prophets & Dead Messiahs (Review)”

Monolithe – Nebula Septem (Review)

MonolitheMonolithe are a doom band from France and this is their seventh album.

I’m a big fan of Monolithe’s increasingly forward-thinking doom metal, (see here, here, here, and here), so I was excited to hear their newest opus. Continue reading “Monolithe – Nebula Septem (Review)”

Bleeding Gods – Dodekathlon (Review)

Bleeding GodsBleeding Gods are from the Netherlands and this is their second album. They play symphonic blackened death metal.

With a suitably epic album concept based around the twelve labours of Hercules, this is epic blackened death metal replete with some thrash metal elements and a strong symphonic backbone. Continue reading “Bleeding Gods – Dodekathlon (Review)”

Xenosis – Devour and Birth (Review)

XenosisXenosis are a progressive/technical death metal band from the US and this is their third album.

I enjoyed the band’s 2015 album Sowing the Seeds of Destruction, so it’s great to see that their next release is now here. Continue reading “Xenosis – Devour and Birth (Review)”

Alastor – The Dark Tower (Review)

AlastorAlastor are a Portugese blackened thrash metal band and this is their sixth album.

Here Alastor give us 48 minutes of furious blackthrash, and they do it surprisingly well. I say ‘surprisingly’ only because I find this kind of subgenre quite disappointing most of the time, but must confess that when it’s done right, I really take to it. Continue reading “Alastor – The Dark Tower (Review)”

Neige Morte – TRINNNT (Review)

Neige MorteNeige Morte are a French post-black metal band and this is their third album.

2014’s Bicephaale stood out with its unusual delivery and incorporation of non-black metal sub-genres. As such, when TRINNNT was unleashed, I knew I had to expose myself to the ravages of the band’s virulent plagues once more. Continue reading “Neige Morte – TRINNNT (Review)”