Torrefy are a Canadian thrash metal band and this is their second album.
Containing over an hour of material, The Infinity Complex is an ambitious and epic release full of progressive thrash metal. The music borrows from the old-school while still retaining enough modern flavour to appeal to a wide variety of metal fans. Continue reading “Torrefy – The Infinity Complex (Review)”
Lorn are an Italian black metal band and this is their latest EP.
Apparently this is an EP, but at 40 minutes in length it’s longer than some albums.
The artwork firmly caught my eye when this appeared; as soon as I saw the cover I knew I had to listen to it. I’m glad I did. Continue reading “Lorn – Arrayed Claws (Review)”
This is the second album from French death metal band Hybrid Sheep.
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading “Hybrid Sheep – Hail to the Beast (Review)”
This is the fourth album from Finnish heavy/power metallers Battle Beast.
Well, this is unexpected. I assumed, for some reason, that upon pressing play I was going to be listening to the latest Nightwish clone. I was wrong. Battle Beast are a different proposition, one which is extremely special too. Continue reading “Battle Beast – Bringer of Pain (Review)”
This is the debut album from Dormansland, a solo act from the UK.
Mixing doom, drone, shoegaze and industrial elements into its near-hour long playing time, After Humanity is a reflective and atmospheric work that’s not afraid to put the boot in when it needs to.
The songs on this release gain traction in the mind of the listener the more they are experienced, and are a combination of emotive, subtle affairs, with harsher industrial-edged themes. Continue reading “Dormansland – After Humanity (Review)”
Muscular, taut, and full of the kind of death metal that can knock you out from a distance, Carnal Decay’s fourth album You Owe You Pay is brutality incarnate.
This is an album that’s relentlessly hostile and spends its entire length bludgeoning you with torn off body parts and bloody stumps. Carnal Decay buzz with energetic violence, and You Owe You Pay is this energy captured and distilled into musical form.
Enter guitarist Isabelle Iten to spill her guts about the carnage within… Continue reading “Interview with Carnal Decay”
Six Feet Under are a death metal band from the US.
I enjoyed Crypt of the Devil, and Torment is the band’s latest forray into the killing pits. Having specialised in their own brand of death metal grooves for decades now, I always like to catch up with what Six Feet Under are doing. Continue reading “Six Feet Under – Torment (Review)”
Fen are a UK progressive black metal band and this is their fifth album.
Fen combine atmospheric, progressive and post-black metal into their beguiling music. Taking the appropriate elements of each and using them to suit their own purposes, the music on Winter is expansive and full of dark vision. Continue reading “Fen – Winter (Review)”
This is the fifth album from Demonic Resurrection, a symphonic black/death metal band from India.
First impression – the album art is amazing.
Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”
This is the fourth album by Manetheren, a black metal band from the US.
Here we have 62 minutes of atmospheric black metal with dark, nihilistic, apocalyptic themes.
Manetheren’s approach to black metal is one of layering. Various Continue reading “Manetheren – The End (Review)”
Wonderbox Metal 