Centuries of Decay are a Canadian extreme metal band and this is their debut album.
This is extreme metal that’s both atmospheric and progressive, borrowing liberally from many extreme metal styles and sub-genres, including modern progressive metal, post-metal, death metal, and black metal. Continue reading “Centuries of Decay – Centuries of Decay (Review)”
Wren are a UK sludge/post-metal band and this is their debut album.
I’ve enjoyed watching Wren develop across their 2015 split with Irk and then on their 2016 EP Host. Both releases impressed me and marked them out as ones to watch, placing them firmly on my radar. Well, it’s now 2017 and they’ve finally released their debut full length. It has been more than worth the wait. Continue reading “Wren – Auburn Rule (Review)”
Endname are a Russian progressive doom band and this is their fourth album.
Triatom is a long, involved, and weighty release that spreads out to cover doom, atmospheric, progressive, sludge, and post-metal territories across its playing time of 72 minutes. Continue reading “Endname – Triatom (Review)”
This is the third album from German black metal band Beltez.
Exiled, Punished…Rejected is crushing black metal that branches out into melodic, atmospheric, and occasionally post-metal territories. Continue reading “Beltez – Exiled, Punished…Rejected (Review)”
This is the latest EP from Swiss post-black metal band Schammasch.
Oh, Schammasch. You never quite know what they’re going to do next. Their last album, the colossal and immense Triangle, was so good it made it to the second position in my best of 2016 list.
Continue reading “Schammasch – The Maldoror Chants: Hermaphrodite (Review)”
Tombs are a US post-black metal band and this is their fourth album.
Both 2014’s Savage Gold and last year’s All Empires Fall were absolute top-quality releases from this very well-regarded band. Mixing black metal with a whole host of other styles and influences to create something all Continue reading “Tombs – The Grand Annihilation (Review)”
Kuujeojabenojujanomiashikushija is a one-man, (I think), experimental death metal band from the US, (I think). This is the project’s second release, (I think).
Yep, I don’t really know much about this, other than the fact that this is 20 minutes of experimental death metal that does more right than it does wrong. Continue reading “Kuujeojabenojujanomiashikushija – HHEOALLE (Review)”
This is the second album from Ukrainian doom metal band Vin de Mia Trix.
One of the reasons I love what I do at Wonderbox Metal is that I get exposed to some amazing music that I might not have ever encountered otherwise. This latest release by Vin de Mia Trix is exactly one of the reasons why I find running this site so fulfilling.
So, here we have a colossal album full of unrestrained ambition, with the musical talent to back it up. This weighty release only contains four tracks, but the entire playing time clocks in at a mighty 98 minutes. Continue reading “Vin de Mia Trix – Palimpsests (Review)”
Wells Valley are a Portuguese post-metal band and this is their latest EP.
This EP features two new songs and a Pink Floyd cover, and is the band’s follow up release to 2015’s very enjoyable Matter as Regent.
Continuing their theme of taking the standard Continue reading “Wells Valley – The Orphic (Review)”
The Sky Is are a Polish post-metal band and this is their second album.
Here we have a decent-length slab of post-metal with stoner and doom elements chucked in for good measure. At just under 30 minutes in duration, it fills a hole that you may not have realised needed filling. Continue reading “The Sky Is – Télépathie (Review)”
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