This is the sixth album from German black metal band Der Weg Einer Freiheit.
Innern is the greatly anticipated follow up to 2017’s Finisterre and 2021’s Noktvrn, the latter placing prominently on my 2021 end of year list, (which in retrospect Finisterre should also have done in 2017). It’s safe to say that I’ve been excitedly looking forward to this new record, especially after seeing the band at last year’s Fortress Festival. Continue reading “Der Weg Einer Freiheit – Innern (Review)”
This is the second album from Brazilian solo black metal act Autrest.
On Burning Embers, Forgotten Wolves, the artist behind Autrest provides us with 42 minutes of nature-inspired atmospheric black metal. It’s well crafted, and the artist clearly knows what he’s doing. Continue reading “Autrest – Burning Embers, Forgotten Wolves (Review)”
Phosphorus are a German post-black metal band and this is their debut album.
I came across this randomly as a recommendation on a forum, and I’m glad I checked it out. Phosphorus play a hybrid style, bringing us 37 minutes of compelling material on Frail Grasp of Broken Hands. Continue reading “Phosphorus – Frail Grasp of Broken Hands (Review)”
This is the second album by Ba’al, a blackened post-metal band from the UK.
I’ve been looking forward to this. 2017’s In Gallows by Mass introduced me to Ba’al’s brand of post-metal, but it was on 2020’s Elipsism where the band truly came into their own, developing a post-black metal framework for their post-metal that was hugely impressive. Last year’s EP Soft Eyes, a quality collection of songs, merely whetted my appetite for more, which we are now gifted with in the form of the 62-minute The Fine Line Between Heaven and Here. Continue reading “Ba’al – The Fine Line Between Heaven and Here (Review)”
Vintras are a UK black metal band and this is their debut album.
Here’s a tasty blackened treat from earlier in the year that you really need in your life. Brought to us by members of Ageless Summoning, Ashen Horde, Evilyn, Norse, Of Spire and Throne, Sluagh, Somnium Nox, and Virulent Depravity, I couldn’t help but expect good things from Vintras. And believe me, Timescarred does not disappoint. Continue reading “Vintras – Timescarred (Review)”
This is the second album from Gaahls Wyrd, an avant-garde/dark metal band from Norway.
I really liked both 2019’s Gastir – Ghosts Invited and 2021’s The Humming Mountain, so the 42-minute Braiding the Stories is gratefully received. This is not music to be casually experienced, but an experience to be explored at length. Continue reading “Gaahls Wyrd – Braiding the Stories (Review)”
Acceptance are a post-black metal band from the UK and this is their debut album.
Previously known as Fatalist, (with an album under that name, so whether this is their first or second I suppose is up for debate), Acceptance exist at an interesting intersection between atmospheric black metal, sludge, blackgaze, and post-rock. Continue reading “Acceptance – Crucifixion of Orchids (Review)”
Silver Knife are an international post-black metal band and this is their second album.
Silver Knife is the 47-minute successor to 2020’s well-received Unyielding/Unseeing. Containing the extremely busy and talented Déhà, as well as current/ex-members of Burial Remains, Laster, Monads, Paramnesia, and Vuur & Zijde, Silver Knife is an album with a lot of experience poured into it, and it shows. Continue reading “Silver Knife – Silver Knife (Review)”
This is the second album from French post-black metallers Heir.
It has been a loooong time since 2017’s Au Peuple de l’Abîme. In fact, I had no idea that Terra Triumphans Jubila even existed until I was kindly pointed in its direction. So Heir are back, with a new lineup since their debut, and have brought 60 minutes of new material with them. Continue reading “Heir – Terra Triumphans Jubila (Review)”
Svnth are an Italian blackgaze band and this is their fourth album.
I’ve enjoyed watching Svnth develop over the years, back when they were called Seventh Genocide on 2017’s Toward Akina and 2018’s Svnth, and then when they changed their name for 2020’s Spring in Blue, which was their strongest outing yet, even making it onto my year end list. Which brings us, five years and a lineup change later, to the 37-minute Pink Noise Youth. Continue reading “Svnth – Pink Noise Youth (Review)”
Wonderbox Metal 