Melodic Death Metal – Page 7

Onheil – In Black Ashes (Review)

Onheil are a black/death metal band from the Netherlands and this is their third album.

Now, here’s an album I’ve very much been looking forward to. I thoroughly enjoyed 2014’s Storm Is Coming, even more so over time, and was immensely happy to see that a follow up is finally here. Back now with some lineup changes, and playing an infectious form of melodic black/death metal, with an influence from thrash and heavy metal, In Black Ashes finds Onheil revitalised, and ready to conquer. Continue reading “Onheil – In Black Ashes (Review)”

Scar Symmetry – The Singularity Phase II – Xenotaph (Review)

This is the seventh album from Scar Symmetry, a melodic death metal band from Sweden.

The Singularity Phase II – Xenotaph is a big album that’s bold and ambitious. but has the skill and ability to back up its vision. Mixing together melodic death metal with heavy and power metal, this is a feast of metallic fun for any fan of this sort of music. Continue reading “Scar Symmetry – The Singularity Phase II – Xenotaph (Review)”

Phlebotomized – Clouds of Confusion (Review)

Phlebotomized are a progressive death metal band from the Netherlands and this is their fourth album.

Phlebotomized play a creative form of death metal that combines progressive structuring and ideas with melodic grace, technical skills, and moments of outright brutality. Across 47 minutes they craft a journey of texture and detail on an unconventional death metal canvas. Continue reading “Phlebotomized – Clouds of Confusion (Review)”

Legacy of Brutality – Travellers to Nowhere (Review)

This is the fourth album from Spanish death metallers Legacy of Brutality.

Legacy of Brutality play death metal that is backed up by melodic might. Theirs is a recipe that takes many well-used ingredients, but deploys them in ways that end up very tasty and satisfying indeed. Continue reading “Legacy of Brutality – Travellers to Nowhere (Review)”

Unearth – The Wretched; The Ruinous (Review)

Unearth are a metalcore band form the US and this is their eighth album.

Following on from 2018’s Extinction(s), Unearth continue to deliver the metalcore goods. Their tried-and-tested brand of melodic death metal-meets-thrash-meets-hardcore is on fine fiery form, and The Wretched; The Ruinous is a very enjoyable 37-minute slab of old-school metalcore heaviness. Continue reading “Unearth – The Wretched; The Ruinous (Review)”

Vintersea – Woven into Ashes (Review)

This is the third album from US progressive metal band Vintersea.

Woven into Ashes contains 51 minutes of progressive extreme metal that should find favour with fans of bands such as An Abstract Illusion, Aversed, Dawn of Ouroboros, Kassogtha, Ne Obliviscaris, Oceans of Slumber, and Wintersun. Continue reading “Vintersea – Woven into Ashes (Review)”

Fires in the Distance – Air Not Meant for Us (Review)

This is the second album from US death/doom metal band Fires in the Distance.

Air Not Meant for Us is a 50-minute journey into melodic death/doom waters from Fires in the Distance, who feature an ex-member of Xenosis in their ranks. Continue reading “Fires in the Distance – Air Not Meant for Us (Review)”

Dawn of Ouroboros – Velvet Incandescence (Review)

This is the second album from Dawn of Ouroboros, a progressive black/death metal band from the US.

Following on from 2020’s well-received The Art of Morphology, Velvet Incandescence brings us 46 minutes of new material from Dawn of Ouroboros, who feature members of Botanist and Cailleach Calling. Continue reading “Dawn of Ouroboros – Velvet Incandescence (Review)”

Omnicidal – The Omnicidalist (Review)

This is the debut album from Swedish death metallers Omnicidal.

The Omnicidalist spends 43 minutes blending both the chainsaw and melodic varieties of old-school Swedish death metal. Sounds tasty? It really is. Continue reading “Omnicidal – The Omnicidalist (Review)”

Demonstealer – The Propaganda Machine (Review)

This is the fourth album from Indian one-man extreme metal band Demonstealer.

I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”