Tribunal are a Gothic doom metal band from Canada and this is their debut album.
The Weight of Remembrance offers a 48-minute Gothic doom metal journey into darkness and sombre atmospheres. The promo states that this is for fans of My Dying Bride, Candlemass, Type O Negative, Paradise Lost, Occultation, Dream Unending, and Pentagram, and this gives a Continue reading “Tribunal – The Weight of Remembrance (Review)”
This is the debut album from US doom metal band Anareta.
Fear Not contains 44 minutes of orchestral doom metal. Anareta aim to blend doom metal with classical music, and on Fear Not they manage this with aplomb. Continue reading “Anareta – Fear Not (Review)”
So here we are again. It’s December, and year end lists are flying around like shrapnel. Due to the inherent subjectivity of music it’s always interesting to see what people have made of the preceding year.
For me, I made a concerted effort to drag myself away from the depths of black metal’s always-enticing abyss to spend some more time with other genres and styles that I also love. I said something similar last year, but I feel this year I was more successful in achieving that end. Of course, I still love black metal, still listen to it constantly, and you’ll still find some great examples of the blackened arts in the list below.
2022 was a strong year for death metal for me, and I enjoyed more death metal bands in a deeper way than I have done for some time. In every year there are standout releases, but I felt this year the standard was raised throughout. Possibly I was simply more receptive to it. Either way, you’ll find more death metal-related acts, and in higher spots, in this selection than you’ll have seen in my lists for a while.
As with last year, grindcore was largely absent from my year, disappointingly, as was hardcore. Additionally, the sort of lengthy, ugly, abyssal doom that I love so much has been largely lacking too. It’s all probably out there somewhere, but I didn’t catch it.
The top two spots this year are both claimed by albums/bands/styles that I simply could not have predicted would be at the pinnacle of my list by the year’s end, (one of the bands I hadn’t even heard of in January). I hope you enjoy these excellent records even half as much as I do.
Lastly I just want to say a big thank you to any and all that might read this site. It’s only a small endeavour, and I do it purely for the love of all things METAL and to support bands that I enjoy in whatever minor way I can, but if this is you, a heartfelt thank you for enduring my scribblings.
On to it! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2022”
This is the third album from Russian doom metal band Mare Infinitum.
Cryosleep contains 47 minutes of epic symphonic doom metal, although these simple words don’t really do the music here sufficient justice. Mare Infinitum’s style takes a base of death/doom and then builds on this with lavish orchestration and operatic depth. Continue reading “Mare Infinitum – Cryosleep (Review)”
Kuolemanlaakso are a Gothic metal band from Finland and this is their latest EP.
I thoroughly enjoyed Kuusumu from earlier in the year, so it’s pleasing – yet surprising – to have a new EP so soon. Apparently these songs were recorded at the same time as Kuusumu though, and in the words of the band, “We knew already when entering the studio that we’re going to record more than an album, as we had plenty of material to work on. Continue reading “Kuolemanlaakso – Kuolleiden Laulu (Review)”
Onhou are a doom metal band from the Netherlands and this is their second album.
Onhou crush together sludge, doom, and post-metal into a dense ball of heaviness and mood. Containing four songs spread over 42 very moreish minutes, Monument is a record that any adherent to the cult of sludge should seek out. Continue reading “Onhou – Monument (Review)”
November has a track record of producing some very strong metal records, and it seems that the November of 2022 is no different. Bask in the glory of the below metallic offerings! Continue reading “Monthly Overview – the Best of November 2022”
Doubtsower is a one-man Welsh doom metal band and this is his second album.
Ahh, the return of Doubtsower. 2021’s Asphyxiation of a Seasick Soul was an unexpected highlight of that year, and although I was surprised to find a new album available so soon, I’m nonetheless pleased by this unlooked for treat. Once again delivering five tracks of emotive doom metal across 49 minutes, the artist behind Doubtsower continues to produce the very definition of underground gems. Continue reading “Doubtsower – The Endless Shadow of Despicable Power (Review)”
This is the third album from Canadian doom/sludge metal band Heron.
Featuring 37 minutes of material, Heron have produced a very tasty underground gem on Empires of Ash. Instantly engaging, despite its caustic nature, this is the sort of album that doom and sludge aficionados should hungrily devour. Continue reading “Heron – Empires of Ash (Review)”
This is the debut album from international death metal band Jade.
I’ve loosely called this death metal in the introductory sentence above, but The Pacification of Death provides more than this. I suppose blackened atmospheric death metal is more accurate; Jade excel in crafting music that combines 80s/90s death/doom and mood-heavy black metal, resulting in a 40-minute album that is more notable than most. Continue reading “Jade – The Pacification of Death (Review)”
