This is the debut album from US death/doom metallers Ritual Ascension.
Profanation of the Adamic Covenant contains five tracks that spread out over 48 minutes like a virulent plague. Brought to us by members of Aberration, Feral Light, Suffering Hour, and Void Rot, Ritual Ascension deliver unto us unworthy listeners a monstrously abyssal amalgamation of death and doom metal. Continue reading “Ritual Ascension – Profanation of the Adamic Covenant (Review)”
This is the fourth album from Spanish black/death metal band Teitanblood.
From the Visceral Abyss is a 52-minute tornado of violence and destruction. Teitanblood don’t mess around, and this is a punishing record of black/death metal barbarity that’s unexpectedly moreish. Continue reading “Teitanblood – From the Visceral Abyss (Review)”
This is the second album from Decrepisy, a death metal band from the US.
Brought to us by current/ex-members of bands such as Acephalix, Ascended Dead, Coffin Rot, Necrot, Ritual Necromancy, Vastum, and Voidceremony, Deific Mourning is the 45-minute follow up to 2021’s enjoyable Emetic Communion. Let’s see what this new record is all about then, shall we? Continue reading “Decrepisy – Deific Mourning (Review)”
Corpus Offal are a death metal band from the US and this is their debut album.
I had no idea that Cerebral Rot had split up. If you don’t know them, check out 2019’s Odious Descent into Decay and 2021’s Excretion of Mortality, both very fine slabs of hideous death metal. Why is this relevant here? Because Corpus Offal have arisen from the decayed corpse of Cerebral Rot – the guitarist and guitarist/vocalist have been vomited forth into this new incarnation, and they have brought a new bassist and drummer with them, (the former ex-Demoncy, the latter from Autophagy/Bell Witch). Continue reading “Corpus Offal – Corpus Offal (Review)”
This is the sixth album from US avant-garde black/death metal band Imperial Triumphant.
Imperial Triumphant always make a fascinating record. Check out any of their albums, (such as 2020’s Alphaville or 2022’s Spirit of Ecstasy and you’ll be in an unfamiliar world of avant-garde experimentation and gilded individuality. Continue reading “Imperial Triumphant – Goldstar (Review)”
Dissocia are a Spanish progressive metal band and this is their debut album.
Brought to us by current/ex-members of Aposento, Bizarre, Cancer, Eternal Storm, and Wormed, Dissocia play modern progressive metal, with elements of death metal incorporated into its cinematic whole. Across 41 minutes, To Lift the Veil makes its intentions known in no uncertain terms, and has an impact. Continue reading “Dissocia – To Lift the Veil (Review)”
This is the fourth album from Danish deathcore band Cabal.
I really like Cabal, so was well chuffed when Everything Rots appeared on the horizon like a gathering storm. 2020’s Drag Me Down and 2022’s Magno Interitus were both first class examples of deathcore heaviness. The latter showed a progression in the band’s sound too, reducing the blackened influences. What will the 38 minutes of new material on Everything Rots reveal? Continue reading “Cabal – Everything Rots (Review)”
This is the second album from US death metal band Gates to Hell.
Gates to Hell play a form of death metal that’s been injected with hardcore urgency, grindcore intensity, and slamming heaviness. With ten songs in 21 minutes, Death Comes to All wastes little time and gives the listener a brutally good time. Continue reading “Gates to Hell – Death Comes to All (Review)”
Osgraef are a black/death metal band and this is their debut album.
Osgraef mix black, death, doom, and war metal into a 42-minute expression of mysterious brutality. Reveries of the Arcane Eye is a ball of raging potency and deep obscure atmosphere. Continue reading “Osgraef – Reveries of the Arcane Eye (Review)”
This is the third album from US death metallers Chaos Inception.
Wow, I did not see this coming. 2012’s The Abrogation stood out with its quality, and I’ve periodically wondered over the years if we’d ever see another from Chaos Inception. I had long assumed not, but here it is – unheralded, and unexpected. Can Chaos Inception stand up to scrutiny in 2025? Continue reading “Chaos Inception – Vengeance Evangel (Review)”
Wonderbox Metal 