This is the ninth album from Canadian death metallers Cryptopsy.
A new Cryptopsy release is always an event to be celebrated. Less than two years after 2023’s very enjoyable As Gomorrah Burns, the band are now back with the 34-minute powerhouse that is An Insatiable Violence. Continue reading “Cryptopsy – An Insatiable Violence (Review)”
This is the debut EP from international death metallers Emasculator.
Featuring the vocal talents of the singer of Unfathomable Ruination, (also ex-Abnormality), Emasculator are here to bring the death metal carnage. The Disfigured and the Divine contains 21 minutes of brutal death metal caved up into seven bloody chunks. Continue reading “Emasculator – The Disfigured and the Divine (Review)”
Wormed are a Spanish death metal band and this is their fourth album.
A new Wormed album – their first in eight years – is a cause for celebration. Join me then for a 4-minute journey into cosmic madness and chaos, as Wormed unleash multidimensional Hell on the monstrously formidable Omegon. Continue reading “Wormed – Omegon (Review)”
Noxis are a death metal band from the US and this is their debut album.
Violence Inherent in the System contains 49 minutes, (with the bonus track), of mayhem. While it’s on the longer side for a death metal album, the quantity is backed up by the quality. Continue reading “Noxis – Violence Inherent in the System (Review)”
Protosequence are a Canadian technical death metal band and this is their debut album.
Bestiary contains 33 minutes of technical mayhem that’s unusually variegated. After enjoying Protosequence’s 2020 EP A Blunt Description of Something Obscene I was looking forward to hearing this, and it has not disappointed. Quite the opposite in fact. Continue reading “Protosequence – Bestiary (Review)”
Aborted are a death metal band from Belgium and this is their twelfth album.
I can’t help but love Aborted. Their addictive blast and groove approach to death metal is tried, tested, and brutally efficient. I’ll link my reviews for Retrogore, Bathos, Terrorvision, and Maniacult, and urge you to check them all out, as they’re definitely all worth your time. Which brings us to Vault of Horrors, the new 40-minute Aborted offering. Continue reading “Aborted – Vault of Horrors (Review)”
This is the second album from international extreme metal band Vltimas.
If ever a band was going to have the supergroup tag applied to it, it’s Vltimas. Brought to us by current and ex-members of bands such as Aura Noir, Cryptopsy, Mayhem, Morbid Angel, and Nader Sadek, you know that a lot of experience has gone into Epic. Continue reading “Vltimas – Epic (Review)”
This is the eighth album from Canadian death metallers Cryptopsy.
New Cryptopsy! It’s been a while. When we last heard from them they had released two strong EPs, (2015’s The Book of Suffering – Tome I and 2018’s The Book of Suffering – Tome II), but now they’re back and ready to achieve their kill quotas. Continue reading “Cryptopsy – As Gomorrah Burns (Review)”
This is the third album from US one-man post-metal band Breaths.
Having really enjoyed 2022’s Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt, I knew I wanted to check out what Flotuit had to offer. This new album might have a much shorter title, but has a lot longer duration at 65 minutes. Has this extra time been well spent? Continue reading “Breaths – Floruit (Review)”
Herod are a progressive/post-metal band from Switzerland and this is their third album.
The Iconoclast is the follow up to 2019’s Sombre Dessein and contains 51 minutes of new material. Continue reading “Herod – The Iconoclast (Review)”
Wonderbox Metal 