This is the second album from French black metal solo act Time Lurker.
It has been a long time since Time Lurker’s 2017 self-titled debut, but now we have 34 minutes of new material in the form of Empise. The artist behind Time Lurker is joined on this new album by a vocalist who howls her way through the songs with impassioned intensity. Continue reading “Time Lurker – Emprise (Review)”
Veilburner are a black/death metal band from the US and this is their seventh album.
A new Veilburner album is always an exciting prospect. I’ve been a fan since 2016’s The Obscene Rite, but it was 2022’s VLBRNR that really saw them reach their true potential in my eyes. Now we have The Duality of Decapitation and Wisdom‘s 49 minutes upon us, and I’m ready to fall into Veilburner’s well-realised world once more. And, this time, it’s stranger than ever. Continue reading “Veilburner – The Duality of Decapitation and Wisdom (Review)”
This is the fourth album from German black metallers Sun Worship.
Brought to us by a member of both the mighty Ultha and Unru, Upon the Hills of Divination contains 41 minutes of modern black metal. Hold on tight and prepare yourself, as this one’s a special one. Continue reading “Sun Worship – Upon the Hills of Divination (Review)”
This is the third album from Swiss black metal solo band Paysage D’Hiver.
Die Berge contains a colossal 103 minutes of atmospheric/ambient black metal for the listener to feast upon greedily. The artist behind Paysage D’Hiver has created an album to fall deeply into, never to return. Continue reading “Paysage D’Hiver – Die Berge (Review)”
Yoth Iria are a Greek black metal band and this is their second album.
2021’s As the Flame Withers was a notable entrance into the world by Yoth Iria, one brought to us by an ex-member of both Rotting Christ and Varathron – Jim Mutilator. Yoth Iria have now returned, with the 36-minute Blazing Inferno. Over 10 minutes shorter than its predecessor, (while having the same number of tracks), and featuring an almost completely different lineup, what does the Yoth Iria of 2024 have to offer us? Continue reading “Yoth Iria – Blazing Inferno (Review)”
The Spirit are a German black/death metal band and this is their fourth album.
Songs Against Humanity contains 42 minutes of material that combines the melodic strains of both black and death metal. It’s essentially Scandinavian melodic black metal with elements of death metal that provide a technical edge in places. Continue reading “The Spirit – Songs Against Humanity (Review)”
Silhouette are a post-black metal band from France and this is their debut albm.
Les Dires de l’Âme contains 46 minutes of blackened post-metal that takes from the atmospheric and blackgaze styles with skilled ability. It’s an interesting, enjoyable, and well-rounded album that Silhouette have put together. Continue reading “Silhouette – Les Dires de l’Âme (Review)”
This is the fourth album from US solo black metal band Serpent Column.
Tassel of Ares is a 39-minute avant-garde black metal album brought to us by the artist behind Theophonos. The style is dissonant, esoteric, and obscure, yet remarkably accessible for that. Serpent Column’s music is an impressive beast. Continue reading “Serpent Column – Tassel of Ares (Review)”
From the Vastland are an Iranian/Norwegian black metal band and this is their eighth album.
I enjoy catching up with From the Vastland’s brand of black metal. I’ve liked all of their albums I’ve heard so far, (2016’s Chamrosh, 2018’s Daevayasna, and 2020’s The Haft Khan, (I managed to miss their 2022 record Taurvi, which I’ve only just found out even existed), so I didn’t expect Tenebrous Shadow to break this trend. Continue reading “From the Vastland – Tenebrous Shadow (Review)”
Anomalie are an Austrian post-black metal band and this is their fifth album.
Although I enjoyed 2017’s Visions, 2021’s Tranceformation took Anomalie to another level, ending up as a firm favourite of mine that year. As such, anticipation is high for the 54-minute Riverchild. Can Anomalie deliver the goods once more? Continue reading “Anomalie – Riverchild (Review)”
Wonderbox Metal 