This is the latest EP from Beyond Grace, a death metal band from the UK.
I always enjoy catching up with Beyond Grace, and have watched their development closely over the years. From the early promise of 2014’s Monstrous, to the debut roar of 2017’s Seekers, to 2021’s crowning achievement so far Our Kingdom Undone, Beyond Grace’s upward trajectory has been a satisfying and rewarding one. Continue reading “Beyond Grace – Welcome to the New Dark Ages, Part 1 (Review)”
This is the second album from Greek power metal band Sacred Outcry.
Featuring the ex-vocalist of Lost Horizon and Heed, Towers of Gold boasts 55 minutes of Grade A material. Taking a heavy metal approach to power metal, Sacred Outcry take elements from both and fuse them into something really quite special. Continue reading “Sacred Outcry – Towers of Gold (Review)”
One Master are a US black metal band and this is their fourth album.
It’s been a while since 2017’s Lycanthropic Burning, (also check out 2015’s Reclusive Blasphemy), but One Master have finally returned. Boasting 55 minutes of new material, The Names of Power further cements One Master’s name in the annals of USBM. Continue reading “One Master – The Names of Power (Review)”
Leonov are a Norwegian doom/post-metal band, and this is their third album.
It’s been some time since 2018’s Wake, but now Leonov have returned with new opus Procession. Will it attain the gloomy heights of its predecessor? Continue reading “Leonov – Procession (Review)”
This is the second album from international death metallers Cruciamentum.
Featuring current/ex-members of Vacivus and Perdition Temple, Cruciamentum play old-school death metal that fans of acts such as Incantation, Corpsessed, Ritual Necromancy, Fossilization, and Immolation should check out. Continue reading “Cruciamentum – Obsidian Refractions (Review)”
This is the eighth album from Australian one-man black metal act Midnight Odyssey.
Here it is, the one we’ve all been waiting for – the third and final part of the Biolume trilogy. Emerging from the long, deep shadows of 2015’s Shards of Silver Fade, 2019’s Biolume Part 1 – In Tartarean Chains, and 2021’s Biolume Part 2 – The Golden Orb, how can Biolume Part 3: A Fullmoon Madness possibly compare? After all, all three of the aforementioned releases either made it into my end of year list in the top five, (here), or the coveted top spot, (here and here). How does this one one fare? Continue reading “Midnight Odyssey – Biolume Part 3 – A Fullmoon Madness (Review)”
This is the third album from Canadian black metallers Délétère.
Songes d’une Nuit Souillée contains 43 minutes of black metal played with passion and skill. It takes a traditional black metal base and puts an individual spin on it. Continue reading “Délétère – Songes d’une Nuit Souillée (Review)”
This is the debut album from US death metal band Distention.
Featuring current and ex-members of bands such as Equipoise, Rivers of Nihil, The Kennedy Veil, The Last Ten Seconds of Life, and Virulent Depravity, you know a lot of experience has gone into the 30 minutes of brutal material on Nothing Comes from Death, and it shows. Continue reading “Distention – Nothing Comes from Death (Review)”
This is a split between two solo US black metal acts – Bury Them and Keep Quiet and Lust Hag.
Bury Them and Keep Quiet start us off with two tracks, with a total duration of 14 minutes. Continue reading “Bury Them and Keep Quiet/Lust Hag – Split (Review)”
Underdark are a post-black metal band from the UK and this is their second album.
Following on from 2021’s Our Bodies Burned Bright on Re-Entry, Underdark have now returned with the 41-minute Managed Decline. Continue reading “Underdark – Managed Decline (Review)”
Wonderbox Metal 