Serpentine Dominion are a US death metal band. This is their debut album.
Featuring current and ex-members of Cannibal Corpse, Killswitch Engage and The Black Dahlia Murder, this was only ever going to be good at the very least.
Well, it’s even better than that. Continue reading “Serpentine Dominion – Serpentine Dominion (Review)”
Disemballerina are a US band, and this is their latest album.
With instruments such as Cello, Viola, Harp, Machete, Acoustic Guitar and Bajo Quinto, this is not your average release.
Dismballerina play a sort of chamber/classical music combination, that may not Continue reading “Disemballerina – Poison Gown (Review)”
This is the second album by French symphonic metal band Lost Opera.
Lost Opera are a symphonic metal band specialising in a modern take on the genre, heavily accentuated with orchestral keyboards and with a side-order of extremity. This manifests via heavier-than-average guitars, (for this kind of thing), and the Continue reading “Lost Opera – Hidden Sides (Review)”
This is the second album from Italian death metallers Lectern.
Precept of Delator is classic-styled death metal, played well and with a good knowledge of the genre. We get nine songs in 37 minutes, with the band ably demonstrating what they can do. Continue reading “Lectern – Precept of Delator (Review)”
This is the second album from this Norwegian black metal band.
Their debut album Withered Roots was Viking-themed black metal with a touch of death metal now and again, and very enjoyable it was.
As with their debut release, this album plays to the more extreme end of the Viking metal sub-genre, essentially to the point where they’re a purestrain black metal band really. Continue reading “Uburen – Frå Døden Fødes Liv (Review)”
Anaal Nathrakh are a UK black metal band and this is their ninth album.
This is the follow up to 2014’s Desideratum. Continuing their slow-burning evolution of merging the underground filthy side of black metal with something altogether more modern and epic in scope, The Whole of the Law is their Continue reading “Anaal Nathrakh – The Whole of the Law (Review)”
Insanity Cult are a black metal band from Greece and this is their debut album.
This is raw, underground black metal filled with negative energy. The album has a melancholic feel that spills over to full-blown depressive black metal on occasion, although they’re not fully embedded in this particular sub-genre.
Frosted black metal riffs rendered out of Continue reading “Insanity Cult – As My End Unfolds… (Review)”
This is the debut album from this US death metal band.
Gatecreeper play old-school death metal with an authentic and passionate delivery. It’s heavy, with a crushing atmosphere and songs that are more memorable than they probably have a right to be. Continue reading “Gatecreeper – Sonoran Depravation (Review)”
Echelon are an international death metal supergroup. This is their second album.
With a lineup that contains a huge amount of experience; like the recently released Stench Price, (which shares personnel), I’m just going to list the various members below from the press blurb for ease of clarity –
Dave Ingram (Hail of Bullets, ex-Bolt Thrower, ex-Benediction)
Rogga Johansson (Paganizer, Demiurg, Putrevore)
Johan Berglund (Ribspreader, The Grotesquery)
Kjetil Lynghaug (Johansson & Speckmann, Paganizer)
Travis Ruvo (Akatharta, Cropsy Maniac)
As you can see. These guys know a thing or two about death metal. Continue reading “Echelon – The Brimstone Aggrandizement (Review)”
Cerberus Unchained are a melodic death metal band from the UK. This is their debut EP.
After their early promise, it’s time to see if Cerberus Unchained have lived up to their potential on this new, 26 minute EP.
(Spoiler: They have).
The EP boasts a strong, beefy recording that sees the band immediately stake claim to the airwaves with Continue reading “Cerberus Unchained – Di Inferi (Review)”
Wonderbox Metal 