This is the eleventh album from UK progressive metallers Threshold.
Well, Threshold have certainly been busy. Their latest album is quite the progressive monster – a double album lasting 82 minutes; you certainly get your value for money with this one. Continue reading “Threshold – Legends of the Shires (Review)”
Usnea are a doom band from the US and this is their third release.
I must confess a deep love for Usnea at this point; all of their previous work thus far has been stunning, (check out Random Cosmic Violence and their split with Ruins as just a couple of examples. It’s also no surprise that they made it onto my best of 2014 end of year list). Continue reading “Usnea – Portals into Futility (Review)”
All My Sins are a Serbian black metal band and this is their debut EP.
This is the band’s first EP after two demos that came out over 13 years ago. Hopefully we won’t have to wait just as long for any further material in the future. Continue reading “All My Sins – Lunar/Solar (Review)”
Nyss are a French ambient/atmospheric black metal band and this is their debut album.
Nyss play raw, underground black metal that’s inspired by the second wave, but then fleshed out by atmospheric and ambient influences. Continue reading “Nyss – Princesse Terre (Three Studies of Silence and Death) (Review)”
Big | Brave are an experimental doom band from Canada and this is their third album.
This is minimalist experimental music, expressed as vast sheets of abstract soundscapes and diligently pieced together emotional compositions. Continue reading “Big | Brave – Ardor (Review)”
The Contortionist are a progressive metal band from the US and this is their fourth album.
Here we have 56 minutes of modern progressive metal that throws in elements of technical and atmospheric metal into the mix, as well as some post-rock and jazz. Continue reading “The Contortionist – Clairvoyant (Review)”
This is the second album from Indian death metallers Gutslit.
I have a certain fondness for Gutslit’s 2013 debut album Skewered in the Sewer. This was an extremely enjoyable release that took brutal death metal and injected a Gorerotted-style sense of playful groove and belligerence into it, resulting in a very memorable and effective album that also made it high into my best of 2013 list. Continue reading “Gutslit – Amputheatre (Review)”
Septic Flesh are a symphonic death metal band from Greece and this is their tenth album.
A new release from Septic Flesh is always something to get a lot more excited about than that of your average band. Make no mistake either; this is definitely worth getting excited about.
Here’s a band that seems to be going from strength to strength for the last decade or so, and Codex Omega is another top-quality addition to their discography. Continue reading “Septic Flesh – Codex Omega (Review)”
Death Vanish and Misanthropos are both one man black metal bands from the US, and they’re releasing a scorching new split together.
We start with Death Vanish, which has been birthed by a member of the highly regarded One Master. Continue reading “Death Vanish/Misanthropos – Split (Review)”
Eternal Black are a doom metal band from the US and this is their debut album.
Here we have the follow up to Eternal Black’s 2015’s self-titled EP, which was a very enjoyable, albeit brief, introduction to the band. Appetite firmly whetted, Bleed the Days is now here to show that this early promise has been followed up with something more substantial. Continue reading “Eternal Black – Bleed the Days (Review)”
Wonderbox Metal 