This is the fourth album from progressive black metal band Infera Bruo.
Here we have a modern progressive blend of black metal, played with furious passion and experienced skill. Infera Bruo know how to write this style, and Rites of the Nameless contains 41 minutes of thoroughly enjoyable music. Continue reading “Infera Bruo – Rites of the Nameless (Review)”
Nordicwinter is a one-man Canadian black metal band, and this is his third album.
Containing 36 minutes of atmospheric black metal with a depressive-style edge, Desolation is an obscure underground gem, one which should be uncovered by as many people as possible. I’m a big fan of atmospheric black metal, and Desolation is a particularly good example of the art. Continue reading “Nordicwinter – Desolation (Review)”
Bihargam are a black metal band from the US and this is their second album.
Featuring members of the mighty Fornicus, and playing the sort of moreish melodic black metal that hits the spot nicely, enjoying Ove Tenebrae was pretty much a given. Continue reading “Bihargam – Ove Tenebrae (Review)”
Wayfarer are a US black metal band and this is their fourth album.
Wayfarer are shaping up to be one of my favourite black metal entities of the last six years or so. The quality levels of 2014’s Children of the Iron Age, 2016’s Old Souls, and 2018’s World’s Blood have made for an enviable Continue reading “Wayfarer – A Romance with Violence (Review)”
This is the second album from US black metal band Lord Almighty.
Lord Almighty play a modern brand of progressive black metal that incorporates elements of blackened thrash, sludge, crust, and rock into its vibrant embrace. The press blurb invokes bands such as Darkthrone, Kvelertak, Thin Lizzy, Mastodon, Continue reading “Lord Almighty – Wither (Review)”
In Cauda Venenum are a French post-black metal band and this is their second album.
Much like In Cauda Venenum’s self-titled debut album, G.O.H.E. contains just two tracks, but each is over 20 minutes in length. Continue reading “In Cauda Venenum – G.O.H.E. (Review)”
This is the third album form French black metallers Dysylumn.
If you find 81-minute albums intimidating, then look away now; Cosmogonie is exactly one such beast. This massive album is divided into three main parts, and then added to by an intro, interlude, and outro, ( all of which are dark ambient affairs). Each of the parts has its own feel and themes, and each is resplendent with quality of delivery and performance. Continue reading “Dysylumn – Cosmogonie (Review)”
Amiensus are a progressive black metal band from the US, and this is their third album.
We last met Amiensus in 2017 with All Paths Lead to Death, which saw them in a more atavistic mood than debut album Restoration. Abreaction finds the band in a more expensive mood once more, while still retaining a core of blackened darkness and aggression. Continue reading “Amiensus – Abreaction (Review)”
Enslaved are a Norwegian black metal band and this is their fifteenth album.
A new Enslaved release is a thing to be celebrated, and Utgard is no different in this regard. The follow up to 2017’s E, Utgard is actually quite different in many other regards, however. Continue reading “Enslaved – Utgard (Review)”
Anaal Nathrakh are a UK black metal band and this is their eleventh album.
You’ve gotta love Anaal Nathrakh. Albums like A New Kind of Horror just keep on giving, and I’d pretty much recommend anything in their discography, (also check out The Whole of the Law and Desideratum). Endarkenment is another adrenaline-filled ride into darkness and ferocity. Continue reading “Anaal Nathrakh – Endarkenment (Review)”
Wonderbox Metal 