This is the second album from Рожь (otherwise known as Rye), a one-man post-black metal band from Russia.
Across 47 minutes Всё provides a compelling and utterly absorbing journey into dark feelings and blackened emotion. Honestly, this is not one to miss if you enjoy highly emotive blackened immersion. Continue reading “Рожь (Rye) – Всё (Review)”
This is the debut album from Greek black metallers Wothrosch.
To open this review I’m just going to lazily reference the promo blurb, which states that Odium is for for fans of Septicflesh, Anaal Nathrakh, Shining, Behemoth, and Fleshgod Apocalypse. It also states, “Imagine the soundscape experience of Septicflesh clashing into the furiosity of Anaal Nathrakh: that is what Wothrosch sounds like.”
So now you know. Continue reading “Wothrosch – Odium (Review)”
This is the second album from German one-man black metal act Leipa.
Containing 39 minutes of material, Reue is fast and sharp, (although not exclusively so), offering black metal that’s melodic and well-written. The artist behind Leipa has a clear vision for his music, and has more than enough talent to realise it. Continue reading “Leipa – Reue (Review)”
This is the debut album from Malaysian one-man black metal band Iravu.
A Fate Worse Than Home contains 34 minutes of expressive, cosmic black metal. Mixing the atmospheric, ambient, and progressive styles into an engaging whole, the artist behind Iravu has crafted something quite special here. Continue reading “Iravu – A Fate Worse Than Home (Review)”
This is the debut album from Nachtmaer, a one-man Belgian black metal act.
Van de Mare Bereen contains 39 minutes of black metal. There are four songs, each one featuring a different singer, (from bands such as Kludde, Toorn, Soul Dissolution, L’Hiver en Deuil, Antzaat, Ars Veneficium, and Dissolve Patterns). Continue reading “Nachtmaer – Van de Mare Bereen (Review)”
This is the fourth album from US industrial black/sludge metal band Invertia.
When I last caught up with Invertia it was on 2014’s Another Scheme of the Wicked, where they played industrial black metal, complete with remixes of the original tracks. Nine years or so later, the band’s music is darker and uglier, yet also laced with hooks and catchy riffs and beats. Continue reading “Invertia – Through the Black Bubble (Review)”
This is the debut album from Finnish one-man black metal act Sammale.
Brought to us by a member of Marrasmieli, Sammale contains 32 minutes of atmospheric folk-tinged black metal. With just over half an hour of material the artist behind Sammale has delivered an album that can effortlessly be replayed over and over again. Continue reading “Sammale – Sammale (Review)”
This is the debut album from UK black metallers Eihort.
Consuming the Light consists of six original blackened hymns and a Samael cover. All told, we’re given 33 minutes of classic black metal from a band that obviously know and love the style very much. Continue reading “Eihort – Consuming the Light (Review)”
Axioma are a post-black/sludge metal band from the US and this is their second album.
I first met Axioma back in 2016 on their debut EP Opia, which seems like an age ago. Well, since then they haven’t been idle, and their second album Sepsis came out earlier this year. Let’s dive in. Continue reading “Axioma – Sepsis (Review)”
This is the second album from French post-black metal band Jours Pâles.
Last year’s Éclosion came out of nowhere and hugely impressed me. I ended up enjoying it so much it appeared on my end of year list too. I wasn’t expecting another album so soon, but here we are with Tensions, which contains 61 minutes of new material. Continue reading “Jours Pâles – Tensions (Review)”
Wonderbox Metal 