Backbone are an Argentinian death metal band and this is their debut EP.
Backbone play death metal with a healthy helping of groove, thrash, and progressive metal thrown in for character and substance. Continue reading “Backbone – R’lyeh (Review)”
Backbone are an Argentinian death metal band and this is their debut EP.
Backbone play death metal with a healthy helping of groove, thrash, and progressive metal thrown in for character and substance. Continue reading “Backbone – R’lyeh (Review)”
This is the debut album from Suns of Sorath, a progressive black/death metal band from the US.
Flowers of the Lily boasts a lot of complex, technical playing. This has been structured into progressive music with black/death leanings, and peppered with avant-garde, classical, and jazz influences. Continue reading “Suns of Sorath – Flowers of the Lily (Review)”
Hundred Suns are an emotive metal band from the US and this is their debut album.
Featuring an ex-member of Every Time I Die and the singer of Normal Jean, it was a complete no-brainer for me to listen to this as soon as I could once I was made aware of it. Thankfully, I haven’t been disappointed with their very enjoyable brand of modern progressive/alternative metal. Continue reading “Hundred Suns – The Prestaliis (Review)”
Scardust are a symphonic metal band from Israel and this is their debut album.
Scardust play sumptuous symphonic metal with some progressive elements added in to enhance proceedings.
Usually I find a lot of this kind of thing very generic and I usually lose interest quickly, but bloody Hell Scardust are an exception to this. Sands of Time is a very professional, accomplished, and well-realised release, with both catchy appeal and memorable depth. Continue reading “Scardust – Sands of Time (Review)”
This is the second album from Neverending Winter, a Russian black metal band.
Here we have 27 minutes of interesting black metal, with punk, progressive, and folk elements mixed in. Continue reading “Neverending Winter – Хиус (Review)”
Archelon are a post-metal/sludge band from the UK and this is a compilation of their first two EPs.
Archelon’s sound is one that mixes that of Knut and Neurosis with a decent helping of Isis, alongside a dash of Zao and old Mastodon. Continue reading “Archelon – I // II (Review)”
The Hirsch Effekt are a German progressive metal band and this is their fourth album.
Here we have 61 minutes of progressive metal/hardcore, the likes of which you rarely encounter among the faceless hordes of most nearly-interchangeable bands. Continue reading “The Hirsch Effekt – Eskapist (Review)”
Centuries of Decay are a Canadian extreme metal band and this is their debut album.
This is extreme metal that’s both atmospheric and progressive, borrowing liberally from many extreme metal styles and sub-genres, including modern progressive metal, post-metal, death metal, and black metal. Continue reading “Centuries of Decay – Centuries of Decay (Review)”
Edguy are a long-running power/heavy metal band from Germany and this is a 25-year anniversary compilation album, (plus some other things).
Edguy are one of those bands that, for some reason, I’ve never actually heard before this release, despite being aware of them pretty much since they released their first album in 1995. I don’t normally review, (or listen to), Continue reading “Edguy – Monuments (Review)”
This is the fourth album by Execration, a Norwegian death metal band.
I’m a huge fan of Execration’s third album Morbid Dimensions, and it even made the number two slot on my best of 2014 end of year list, so stuffed full of technical/progressive death metal goodness was it. Continue reading “Execration – Return to the Void (Review)”