Unhold are a sludge/post-metal band from Switzerland and this is their fifth album.
2015’s Towering lived up to its name, and was a monolithic and notable record. I said that Towering offered Continue reading “Unhold – Here Is the Blood (Review)”
Unhold are a sludge/post-metal band from Switzerland and this is their fifth album.
2015’s Towering lived up to its name, and was a monolithic and notable record. I said that Towering offered Continue reading “Unhold – Here Is the Blood (Review)”
This is the second album from Witherfall, a progressive/melodic metal band from the US.
Featuring members and ex-members of various notable bands, including Iced Earth, this is 57 minutes of polished, dark heavy metal that’s a blend of exotic power metal, rich melodic metal, and progressive metal exploratory worldbuilding. Continue reading “Witherfall – A Prelude to Sorrow (Review)”
This is the eighth album from progressive metal heavyweights The Ocean.
The first album of a two part release, this is another sprawling epic from this incredibly talented band. The Ocean have never been ones to shy away from a complex concept, and this latest album is no different. Continue reading “The Ocean – Phanerozoic I: Palaeozoic (Review)”
This is the third album from US one man atmospheric black metal band Eneferens.
Eneferens is a project that I swear I’ve not only listened to in the past, but reviewed also. It turns out that this isn’t true, so I have no idea what I must be thinking of. Continue reading “Eneferens – The Bleakness of Our Constant (Review)”
This is the fifth album from US post-metal band A Storm of Light.
Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading “A Storm of Light – Anthroscene (Review)”
Behemoth are a veteran Polish blackened death metal band and this is their eleventh album.
Containing the by-now core of the Behemoth sound, but expanding on this in various ways across different tracks, this new album is a very strong addition to the band’s discography, one which I’m sure with rightly garner much praise. Continue reading “Behemoth – I Loved You at Your Darkest (Review)”
Sulaco are a grind band from the US and this is their third album.
It’s been seven years since 2011’s Build & Burn, and it’s about time for something new from this band. Continue reading “Sulaco – The Prize (Review)”
Forming the Void are a progressive stoner/sludge doom band from the US. This is their fourth album.
After enjoying Forming the Void’s split with Pyreship, I was eager to hear more from the band. Thankfully, that desire has been catered to in the form of Rift; 46 minutes of new material for me to wrap my ears around. Continue reading “Forming the Void – Rift (Review)”
This is the debut album from Khôrada, a progressive/doom/post-metal band from the US.
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading “Khôrada – Salt (Review)”
This is the seventh album from Redemption, a progressive metal band from the US.
2016’s The Art of Loss was a compelling and engaging listen, skilfully weaving together melodic metal with progressive know-how. Well, a couple of years and a change of singer later, and we have a 66 minutes of new material in the shape of Long Night’s Journey into Day.
Continue reading “Redemption – Long Night’s Journey into Day (Review)”