This is the debut album from Canadian modern progressive metal band Technical Damage.
This is modern metal that enjoys incorporating a few different styles and genres into itself. The core of the band falls somewhere between technical metal, djent, hardcore/metalcore, and modern death metal. This forms the bedrock of the band’s Continue reading “Technical Damage – The Introspect (Review)”
The UK’s Damnation Festival has once again rolled around, and it’s time for all good music fans to get themselves to Leeds and bask in the amazing lineup that the festival gods always seem to be able to pull together. As you can see from the above poster, this year boasted some great talent.
The running times I’ll post below, so you can get an idea of how the day ran. The festival was once again sold out this year, and really felt it. Continue reading “Damnation Festival – Leeds University, 03/11/18 (Live Review)”
Ohhms are a UK doom band and this is their second album.
Hot on the heels of 2017’s The Fool, we unexpectedly, (to me anyway), have a brand new album from Ohhms. The Fool was an album that I initially enjoyed a great deal, but soon proved itself to be a real grower, and over time truly revealed itself to be a rich, multifaceted, and hugely enjoyable release. Continue reading “Ohhms – Exist (Review)”
Unhold are a sludge/post-metal band from Switzerland and this is their fifth album.
2015’s Towering lived up to its name, and was a monolithic and notable record. I said that Towering offered Continue reading “Unhold – Here Is the Blood (Review)”
This is the second album from Witherfall, a progressive/melodic metal band from the US.
Featuring members and ex-members of various notable bands, including Iced Earth, this is 57 minutes of polished, dark heavy metal that’s a blend of exotic power metal, rich melodic metal, and progressive metal exploratory worldbuilding. Continue reading “Witherfall – A Prelude to Sorrow (Review)”
This is the eighth album from progressive metal heavyweights The Ocean.
The first album of a two part release, this is another sprawling epic from this incredibly talented band. The Ocean have never been ones to shy away from a complex concept, and this latest album is no different. Continue reading “The Ocean – Phanerozoic I: Palaeozoic (Review)”
This is the third album from US one man atmospheric black metal band Eneferens.
Eneferens is a project that I swear I’ve not only listened to in the past, but reviewed also. It turns out that this isn’t true, so I have no idea what I must be thinking of. Continue reading “Eneferens – The Bleakness of Our Constant (Review)”
This is the fifth album from US post-metal band A Storm of Light.
Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading “A Storm of Light – Anthroscene (Review)”
Behemoth are a veteran Polish blackened death metal band and this is their eleventh album.
Containing the by-now core of the Behemoth sound, but expanding on this in various ways across different tracks, this new album is a very strong addition to the band’s discography, one which I’m sure with rightly garner much praise. Continue reading “Behemoth – I Loved You at Your Darkest (Review)”
Sulaco are a grind band from the US and this is their third album.
It’s been seven years since 2011’s Build & Burn, and it’s about time for something new from this band. Continue reading “Sulaco – The Prize (Review)”
Wonderbox Metal 