The Odious are a progressive metal band from the US and this is their second album.
The Odious’ progressive metal is a mix of modern technical/progressive/death metal and progressive rock. The end result can be loosely characterised as a mix of The Faceless, Opeth, Between the Buried and Me, Sikth, Meshuggah, Ulcerate, and Devin Townsend. Continue reading “The Odious – Vesica Piscis (Review)”
Howling Sycamore are a progressive metal band from the US and this is their second album.
Combining technical, progressive, avant-garde, forward-thinking metal music, with old-school, classic progressive metal vocals probably shouldn’t work, but Howling Sycamore easily prove that it most certainly does. This is a band that have taken their Continue reading “Howling Sycamore – Seven Pathways to Annihilation (Review)”
Into Orbit are a post-metal band from New Zealand. This is their third album.
Having really enjoyed 2017’s Unearthing, getting to listen to a new album from Into Orbit is a treat, especially one as good as this. Continue reading “Into Orbit – Kinesis (Review)”
This is the latest album from US stoner metal band Druids.
After enjoying 2016’s Cycles of Mobeum and 2017’s Spirit Compass, I’m glad to be able to catch up with Druids once more. Continue reading “Druids – Monument (Review)”
This is the second album from Spanish doom/heavy metallers Totengott.
This immense album is a hard one to describe with genre tags. It’s a mix of doom and thrash/heavy metal, but with elements of black, death, and progressive metal added in too, (as well as forays into dark ambient waters). The promo blurb mentions Continue reading “Totengott – The Abyss (Review)”
Hath are a progressive blackened death metal band from the US, (with members of Cognitive and Dystrophy), and this is their debut album.
Of Rot and Ruin combines a base of death metal aggression with black metal’s dark emotive qualities to produce and album that hits hard and memorably, and easily draws you back for more and more. Continue reading “Hath – Of Rot and Ruin (Review)”
Inter Arma are a US post-metal band and this is their fourth album.
A new Inter Arma release is always welcome. 2014’s The Cavern was a stunning record that topped my end of year list, and although 2016’s Paradise Gallows didn’t ascend to the same heights, it was an album that I still deem as an essential listen, (and in hindsight should definitely have been higher up on 2016’s list). Continue reading “Inter Arma – Sulphur English (Review)”
Queensrÿche are a legendary US progressive metal band and this is their 15th album.
This is contemporary heavy/progressive metal, played by talented, veteran musicians that know a thing or two about how to write a good tune. Continue reading “Queensrÿche – The Verdict (Review)”
East of the Wall are a progressive metal band from the US and this is their fifth album.
East of the Wall have produced a progressive metal album that finds the band in fine form. This is a collection of textured, layered songs, embracing a modern progressive approach that has elements of the heavier side of the spectrum in its makeup. Continue reading “East of the Wall – NP-Complete (Review)”
This is the third album from the impressively named Mammoth Weed Wizard Bastard, a doom metal band from the UK.
I really enjoyed the band’s striking 2016 debut record Y Proffwyd Dwyll, which saw the band offer up an intoxicating blend of psychedelic sludge/doom metal. In 2018 they unleashed a mammoth, (ahem), split with Slomatics called Totems, which Continue reading “Mammoth Weed Wizard Bastard – Yn Ol I Annwn (Review)”
Wonderbox Metal 