This is the sixth album from Polish black metallers Blaze of Perdition.
I enjoyed 2015’s Near Death Revelations, 2017’s Conscious Darkness, and 2020’s The Harrowing of Hearts, so was pleased when Upharsin appeared. Across its 41-minute duration Blaze of Perdition create a withering storm of hostile black metal and ceremonial atmosphere. Continue reading “Blaze of Perdition – Upharsin (Review)”
This is the debut album from German death metallers Mære.
Featuring ex-members of Ingurgitating Oblivion, …And the Universe Keeps Silent contains 37 minutes of lightless dissonant death metal. The promo blurb mentions bands like Gorguts, Incantation, Morbid Angel, Immolation, Replicant, Phobocosm, and Saevus Finis, so this will give you a good idea of where Mære are coming from. Continue reading “Mære – …And the Universe Keeps Silent (Review)”
Dvne are a progressive post-metal band from the UK and this is their third album.
I fell hard for Dvne on their 2017 album Asheran, which they then followed up in 2021 with the critically acclaimed Etemen Ænka. Which brings us to the much-anticipated Voidkind, an album that boasts 58 minutes of new material. Continue reading “Dvne – Voidkind (Review)”
This is the fifteenth album from UK doom metal band My Dying Bride.
A Mortal Binding contains 55 minutes of new music from this legendary act. My Dying Bride have returned with a doom-drenched descent into the abyssal depths of loss and despair. It’s rich in moody darkness, and resplendent with emotive colour. Balancing atmospheric immersion with aggressive melancholy, the songs are captivating examples of a band’s vision expertly rendered. Continue reading “My Dying Bride – A Mortal Binding (Review)”
Uttertomb are a death metal band from Chile and this is their debut album.
Nebulas of Self-Desecration contains 43 minutes of morbid death metal darkness. Manifesting as ancient death metal with a serving of doom horror, if you think of a mix of bands such as Autopsy, Incantation, and Immolation, you’ll have a decent starting point for Uttertomb’s output. Continue reading “Uttertomb – Nebulas of Self-Desecration (Review)”
This is the third album from Dutch dark rock band Dool.
The Shape of Fluidity contains 50 minutes of dark rock music with both a metallic and a Gothic edge, as well as containing elements of doom, post-rock and post-punk. Dool’s music flows together seamlessly, making for an individualistic blend that is extremely enjoyable and moreish. Continue reading “Dool – The Shape of Fluidity (Review)”
This is the second album from Canadian death metal band Atræ Bilis.
Following on from 2021’s Apexapien, Atræ Bilis have now returned with 40 minutes of new material. As enjoyable as that record was, Aumicide is something else. Continue reading “Atræ Bilis – Aumicide (Review)”
Now here’s an interesting show. A bill of extremes, from the deathgrind mayhem of Knoll to the funeral doom crawl of Bell Witch. How could I miss such a compelling reason to journey to one of my favourite venues in Manchester once more? Continue reading “Bell Witch/Knoll – Rebellion, Manchester – 14/04/24 (Live Review)”
Nuclear Tomb are a death/thrash metal band from the US and this is their debut album.
Nuclear Tomb play an intriguing mix of death and thrash metal that combines a ferocious attack with progressive wanderings and idiosyncratic layers. Exploding across 33 minutes, Terror Labyrinthian impresses with its ambition, scope, and beating heart of passionate steel. Continue reading “Nuclear Tomb – Terror Labyrinthian (Review)”
This is the debut album from Slug Gore, an Italian grindcore band.
Fusing together death metal and grindcore into a gross deathgrind brew that stinks to high heaven, Slug Gore deliver 18 minutes of disgusting fight music on their debut album. Prepare yourself, as it’s about to get messy. Continue reading “Slug Gore – They Slime! They Ooze! They Kill! (Review)”
Wonderbox Metal 