Windswept are a Ukrainian black metal; band and this is their second album.
Featuring members of Drudkh, this is Windswept’s follow up to 2017’s The Great Cold Steppe. Continue reading “Windswept – The Onlooker (Review)”
Tag: Metal
Downfall of Gaia – Ethic of Radical Finitude (Review)
Downfall of Gaia are a German post-black metal band and this is their fifth album.
Downfall of Gaia are an impressive proposition. Their blackened brand of atmospheric sludge metal is channelled into post-black metal songs that are both satisfying and immersive. We last encountered them on 2016’s Atrophy, and now they grace us with 40 minutes of new material. Continue reading “Downfall of Gaia – Ethic of Radical Finitude (Review)”
Depleted – Conjurations of Void (Review)
Depleted is a one man death/doom band from the US and this is his debut demo.
Brought to us by a member of the rabidly aggressive Maltheist, Depleted is a different proposition, but no less nasty in intent. Continue reading “Depleted – Conjurations of Void (Review)”
Monthly Overview – the Best of January 2019
January has seen somewhat of a slow start to the year for metal releases. Despite this, there have still been some that are well worth your attention. Have a look at the gems below and let me know which ones sound the best to you… Continue reading “Monthly Overview – the Best of January 2019”
A Thousand Sufferings – Bleakness (Review)
This is the second album from A Thousand Sufferings, a Belgian blackened doom band.
We last heard from A Thousand Sufferings in 2015 with their debut album Burden. This was a dark slab of doom/sludge metal, and with Bleakness A Thousand Sufferings have capitalised on the strengths of that early record and produced 41 minutes of tortured and pained heavy music. Continue reading “A Thousand Sufferings – Bleakness (Review)”
Ossuarium – Living Tomb (Review)
This is the debut album from US death metallers Ossuarium.
Ossuarium play old-school death metal with a corrupting doom influence, so much so that to term this death/doom wouldn’t be completely inappropriate. Continue reading “Ossuarium – Living Tomb (Review)”
Morild – Så kom mørket… (Review)
Morild are a Danish black metal band and this is their debut album.
To give this album it’s full, unabridged title –
’Så kom mørket og tog mig på ordet
En sort sky af minder
I afgørende stunder
Frosset fast i mit indre
Jeg håber det forsvinder med lyset
At dø eller blive fri’
Which apparently translates as – Continue reading “Morild – Så kom mørket… (Review)”
Ithaca – The Language of Injury (Review)
Ithaca are a metallic hardcore band from the UK and this is their debut album.
I’ll be honest, whenever I see a band described as metallic hardcore my eyes kind of glaze over as a first response. However, the promo blurb for this one intrigued me, I must confess, so I’ll reproduce it here – “Formed out of a mutual love of metallic hardcore but despair at its lack of ambition, Ithaca draw influence from everything from Southern doom to 90’s math rock as well as the untethered savagery of early Poison The Well and melodious battery of Oathbreaker.” Couple this with Continue reading “Ithaca – The Language of Injury (Review)”
Enon Chapel – Enon Chapel (Review)
Enon Chapel are an American black metal band and this is their debut EP.
Featuring a member of Palace of Worms, this project takes influence from Victorian era London and specialises in raw, lo-fi black metal. Continue reading “Enon Chapel – Enon Chapel (Review)”
Mastiff – Plague (Review)
Mastiff are a hardcore/sludge metal band from the UK and this is their second album.
Mastiff play the kind of pitch-black ugliness that I really like. Mixing styles and genres into an extreme metal mass of festering hatred and misery, Plague contains elements of doom, sludge, hardcore, and grindcore, all hatefully mixed together and vomited onto the listener with scorn and bile. Continue reading “Mastiff – Plague (Review)”
Wonderbox Metal 