Marrasmieli are a black metal band from Finland and this is their second album.
I enjoyed 2020’s Between Land and Sky a great deal, which made Martaiden Mailta one I was definitely looking forward to. Marrasmieli play atmospheric black metal with a clear folk influence, but they balance this against a heart of pure blackened darkness. Continue reading “Marrasmieli – Martaiden Mailta (Review)”
Meshuggah are a legendary Swedish progressive/extreme metal band and this is their ninth album.
I really enjoyed Meshuggah’s last record, (2016’s The Violent Sleep of Reason), and it grew on me more and more over time. six years later the band have returned with a colossal 69-minute slab of their inimitable, (yet frequently badly imitated), djent-based progressive metal. Continue reading “Meshuggah – Immutable (Review)”
This is the second album from French doom metal band Lux Incerta.
Lux Incerta are inspired by the 90s UK doom scene, and list bands such as Paradise Post, Cathedral, and My Dying Bride as prime influences. Alongside the distinctly non-doom Iron Maiden, which they also state as an influence, the band have used these starting points to craft 61 minutes of immersive doom metal. Continue reading “Lux Incerta – Dark Odyssey (Review)”
Tome of the Unreplenished are a black metal band from Cyprus and this is their second album.
Containing current and ex-members of bands such as Code, Macabre Omen, and Lvcifyre, Earthbound is a 47-minute atmospheric black metal album that may not be quite what you were expecting. Continue reading “Tome of the Unreplenished – Earthbound (Review)”
Terzij de Horde are a black metal band from the Netherlands and this is their second album.
2015’s Self was so long ago that I wasn’t sure we’d ever hear anything from Terzij de Horde again. They’re back though, with 30 minutes of new material – spread over three tracks – that are as fiery and as destructive as the album’s striking cover. Continue reading “Terzij de Horde – In One of These, I Am Your Enemy (Review)”
This is the debut album from New Zealand sludge metal/rock band End Boss.
Featuring the drummer of Beastwars, They Seek My Head contains 33 minutes of sludgy heaviness that is both rough and beautiful. It also has all of the riffs. Sorry, but there’s no more left for anyone else now, End Boss have them all. Continue reading “End Boss – They Seek My Head (Review)”
March was yet another good month for metal releases. I’m aware that I pretty much say that every month, but it’s true. Dig into these albums and let me know what your favourite was last month
Continue reading “Monthly Overview – the Best of March 2022”
This is the third album from Greek blackened doom band Agnes Vein.
Deathcall actually came out at the end of 2021, but I believe it recently had a vinyl release so it seemed as good a time as any to catch up with what they’re doing these days – the last, (and only), time I have encountered them previously was on 2016’s split with Sadhus “The Smoking Community”. Continue reading “Agnes Vein – Deathcall (Review)”
This is the debut album from Swedish death/doom metallers Grand Harvest.
Here we have 51 minutes of death/doom metal, with some blackened influences thrown in for good measure. Prepare yourself in advance, as this is some Grade A stuff right here… Continue reading “Grand Harvest – Consummatum Est (Review)”
This is the third album from US black metal band Vimur.
Vimur’s music effortlessly merges vicious blackened hatred with sublime atmosphere. Raw violence and atmospheric cosmic explorations combine to form seven tracks that tear their way through the space-time continuum without a care for the consequences. Continue reading “Vimur – Transcendental Violence (Review)”
Wonderbox Metal 