Melechesh – Wonderbox Metal

Shaarimoth – Devildom (Review)

This is the third album from Shaarimoth, a blackened death metal band from Norway.

Shaarimoth return with Devildom, a new 43 minutes of material. After a considerable gap since their last album, (2017’s Temple of the Adversarial Fire), I knew I wanted to make sure I immersed myself in the band’s dark blackened death metal once more. Shaarimoth haven’t been totally absent though during that time though, as in 2021 they also contributed to a split release with Thy Darkened Shade, Amestigon and Inconcessus Lux Lucis called SamaeLilith: A Conjunction of the Fireborn. Continue reading “Shaarimoth – Devildom (Review)”

Temple of Dread – Beyond Acheron (Review)

This is the fourth album from German death metal band Temple of Dread.

Following on from 2021’s Hades Unleashed, Beyond Acheron contains 46 minutes of thrash-edged old-school death metal mayhem. Beyond Acheron marauders through its running time like a thing possessed, but one that hoards secret knowledge and forbidden truths that elevate it to more than a simple beast. Continue reading “Temple of Dread – Beyond Acheron (Review)”

Kostnatění – Úpal (Review)

Kostnatění is a one-man black metal band from the US and this is his second album.

Containing 40 minutes of unconventional black metal, Úpal is an atypical release that merges different genres and sounds into a blackened whole. A clash of cold, harsh dissonance and vibrant, melodic folk influences from around the globe, Úpal is a record that’s striking and impactful. Continue reading “Kostnatění – Úpal (Review)”

Aeternam – Heir of the Rising Sun (Review)

This is the fifth album from Canadian symphonic death metal band Aeternam.

Aeternam play a form of orchestral death metal that takes in Middle Eastern folk influences. If you’re a fan of the type of individual approach that bands such as Arallu, Melechesh, Orphaned Land, Septicflesh, Rudra, and Nile bring to extreme metal, then Aeternam is definitely an album you should check out. Continue reading “Aeternam – Heir of the Rising Sun (Review)”

Akhenaten – The Emerald Tablets of Thoth (Review)

Akhenaten are a death metal band from the US and this is their fourth album.

Akhenaten play a hybrid style of black and death metal that’s been spiced up with Middle Eastern folk influences. The music brings to mind a cross between aspects of bands such as Nile, Melechesh, Arallu, Orphaned Land, Rudra, Septic Flesh, and the like. In other words, bands that use their extreme metal for more than simple brutality. Continue reading “Akhenaten – The Emerald Tablets of Thoth (Review)”

Nyn – Entropy: (of Chaos and Salt) (Review)

Nyn are a technical/progressive death metal band and this is their second album.

Normally a solo project, the main-man-behind-the-band has been joined by others on this release, helping to flesh out his sound even further than previously. Continue reading “Nyn – Entropy: (of Chaos and Salt) (Review)”

Divine Element – Thaurachs of Borsu (Review)

Divine Element are an international black/death metal band. This is their second album.

This is quite a varied release that essentially boils down to about 40 minutes of epic extreme metal.

The music takes Continue reading “Divine Element – Thaurachs of Borsu (Review)”

Demonic Resurrection – Dashavatar (Review)

This is the fifth album from Demonic Resurrection, a symphonic black/death metal band from India.

First impression – the album art is amazing.

Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”

Rudra – Enemy of Duality (Review)

Rudra are a blackened extreme metal band from Singapore. This is their eighth album.

Despite being around for a very long time at this point, and despite having first heard of them an almost equally long time ago, this is my first actual encounter with Rudra and their so-called Vedic metal. Continue reading “Rudra – Enemy of Duality (Review)”

Nekhen – Entering the Gate of the Western Horizon (Review)

This is the debut release of Nekhen, a blackened doom solo project from Italy.

Even though this is the project’s first journey out into the world, the brains behind the outfit is obviously not lacking in ambition. According to the press blurb – ‘The album is intended as Continue reading “Nekhen – Entering the Gate of the Western Horizon (Review)”