This is the fifth album from The Night Flight Orchestra, a Swedish hard rock band.
I loved Amber Galactic and Sometimes the World Ain’t Enough, and now I love Aeromantic. It’s quite simple really; The Night Flight Orchestra have never released a bad album, and just seem to be getting better and better over time, growing into themselves with increasing confidence. Continue reading “The Night Flight Orchestra – Aeromantic (Review)”
This is the debut album from one-man Swedish doom metal band Blissful Stream.
It seems like an age since Blissful Stream first appeared in 2016 with Ascending Demons, which impressed with its lo-fi rocky take on doom metal. The next two years saw a release every year, (Devil’s Night to All Souls – Split with Lightsabres, and Dead Religious), and then a quiet 2019. This was apparently due to the artist building up to his fist full length, which we are now lucky enough to have in 2020. Continue reading “Blissful Stream – When the Wolves Start to Circle (Review)”
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading “Ghastly Sound – Have a Nice Day (Review)”
Beastwars are a sludge/stoner metal band from New Zealand and this is their fourth album.
The return of Beastwars is to be celebrated, and what better way than to embrace 38 minutes of new, riff-worshipping, hard rocking metal tunes? Continue reading “Beastwars – IV (Review)”
This is the second album from Morass of Molasses, a stoner rock/metal band from the UK.
The Ties That Bind is a hard rocking stoner metal album that combines elements of sludge rock, doom, and distorted blues into its style. Continue reading “Morass of Molasses – The Ties That Bind (Review)”
Wolf Blood are a US doom metal band and this is their second album.
2014’s Wolf Blood made a great impression on me, but it would be another four years before we heard from them again. Then, last year’s Tsunami/Home appeared. It may have been short, but it was mighty. Well, I’m very pleased to say that there’s no four-year Continue reading “Wolf Blood – II (Review)”
Veil of Deception are a metal band from Austria. This is their third album.
This is the follow up to 2015’s Tearing up the Roots, and offers 48 minutes of metallic anthems and energetic riffs. Continue reading “Veil of Deception – Dissident Voices (Review)”
This is the third album from US doom metal band Destroyer of Light.
I really liked 2018’s Hopeless, and really wanted that EP to be the herald of good things for their next album. It turns out that it was, and Mors Aeterna is just as good, if not better, than I was hoping for. Continue reading “Destroyer of Light – Mors Aeterna (Review)”
This is the fifth album from US hard/stoner rockers Lo-Pan.
This sort of highly engaging and infectious stoner-influenced hard rock is not typically my sort of thing most of the time, but it’s hard to deny how damn good Lo-Pan are at what they do. I really, really got Continue reading “Lo-Pan – Subtle (Review)”
This is the eleventh album from Soilwork, a veteran Swedish metal band.
Soilwork’s eleventh album mixes melodic death metal with fat grooving riffs and a hard rock sensibility that sits at the heart of the band, allowing them to straddle the worlds of metal and rock quite effectively. Having said that, it should be clarified that the rock aspects of this album are mainly hidden underneath a firmly metal veneer; they inform, without overpowering. Continue reading “Soilwork – Verkligheten (Review)”
Wonderbox Metal 