Chronoboros – The Mass Saw Acres of Chain (Review)

Chronoboros - The Mass Saw Acres of Chain

This is the second album Greek post-hardcore/sludge band Chronoboros.

Having enjoyed both Dialing up the Cutter and No Dirt or Silver Will Have Us Sated, we now turn to the latest Chronoboros release, which finds the band in good form as they plough through 35 minutes of angular, unorthodox material. Continue reading “Chronoboros – The Mass Saw Acres of Chain (Review)”

Chronoboros – No Dirt or Silver Will Have Us Sated (Review)

ChronoborosThis is the debut album Greek post-hardcore/sludge band Chronoboros.

2015’s Dialing up the Clutter was an enjoyable, if brief, introduction to Chronoboros’ jagged, angular sound, and now they’re back with their first full length; 34 minutes of harsh noise and deliberate contrariness. Continue reading “Chronoboros – No Dirt or Silver Will Have Us Sated (Review)”

Chronoboros – Dialing up the Cutter (Review)

ChronoborosChronoboros are from Greece and play Sludge-fuelled Hardcore. This is their début EP.

Chronoboros play a mix of Sludge/Hardcore that shares some features of Alternative Metal and Noise Rock in its sideways approach. It reminds me of the early-to-mid-90s style in some ways, albeit with a modern delivery and a distinct personality all of its own.

Combining elements of bands such as Fudge Tunnel, Association Area, Kowloon Walled City, No Anchor, Helmet, The Dillinger Escape Plan and a plethora of others, this is an interesting and enjoyable release that shows that a band can be inventive while still having the capacity to rock out hard.

The music is complex and involved. It has a lot of depth and layers to it meaning that although these songs are quite short they make a good impression. Heavy sections compete for space with less-conventional parts and there’s a lot of good ideas on this EP that are barely explored before the band hop off once again on another exploratory trip into their unusual world.

The vocals combine harsher screams with more unusual semi-spoken vocalisations. It works a treat and is thankfully the right side of quirky.

There’s a lot of talent and promise on this release. It’s only 15 minutes long, so what excuse do you have for not checking it out?

That’s what I thought.

Corecom – Crawling Under The Heavy Foot Of Addiction (Review)

CoecomCorecom are a Sludge Metal band from Bulgaria and this is their début album.

Lazy, lost, despondent…the woe and rejection…the struggles of life and everything within…Corecom are here to remind you that negativity can be a physical force.

But there’s more to just Corecom than mere misery and Sludgy Eyehategod worship; they’re also in touch with their inner Hardcore band and their brand of Sludge is infested with semi-upbeat Hardcore-esque sections that seem to be fashioned from the murk of the deepest Sludge. This is more No Anchor than Eyehategod.

Corecom also have groove. I mean big groove. The kind of groove that got people bouncing all over the shop before Nu-Metal made it distinctly uncool. Corecom are reclaiming it and drenching it in Sludge so that no-one else wants to touch it.

Southern riffs, Hardcore-vibes, Doom-workouts and Stoner sections abound, as well as some pseudo-Grunge and Pantera/Crowbar influences. Corecom sound stuck in a timewarp in some ways, as Crawling Under The Heavy Foot Of Addiction sounds like it should have been released around 1999. This is not a bad thing at all, as this was a time when there were lots of innovative and interesting bands rearing their bruised, ugly heads.

Varied and catchy songs are Corecom’s speciality and this release is a very complete one; songs are just that, and each track has a part to play holistically in the overall makeup of the album.

Pain-inflicted vocals with no small amount of variety and character run through the songs like rodents infesting the ruins. The singer has a distinctly non-standard voice and this goes for the music too; it might take a song or two to acclimbatize but once you do Corecom have a lot of character and personality to offer.

This album makes me feel both impressed and nostalgic. It’s definitely one you should have a listen to.