This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
This is the debut album from US death metallers Sublation.
I loved Fisthammer’s 2014 album Infallible. An incredible blend of blackened and technical death metal, it’s an album I still visit surprisingly often. Why do I bring this up here? Because Sublation are the reincarnation of Fisthammer, who have returned with a new name, a stripped back lineup, and a refreshed vision for extreme metal. As such, I simply had to give The Path to Bedlam a decent airing. Continue reading “Sublation – The Path to Bedlam (Review)”
Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”
This is the debut album from Danish post-metal band Offernat.
Offernat play a hybrid form of music that blends black, progressive, doom, and post-metal elements together into four mammoth songs. Continue reading “Offernat – All Colours Retract (Review)”
This is the fifth album from Canadian symphonic death metal band Aeternam.
Aeternam play a form of orchestral death metal that takes in Middle Eastern folk influences. If you’re a fan of the type of individual approach that bands such as Arallu, Melechesh, Orphaned Land, Septicflesh, Rudra, and Nile bring to extreme metal, then Aeternam is definitely an album you should check out. Continue reading “Aeternam – Heir of the Rising Sun (Review)”
This is the fifth album from US progressive doom band Dreadnought.
Dreadnought play a brand of progressive doom, with black, folk, jazz, classical, and post-metal elements all embedded into it. It’s a heady mix, but the band have more than enough talent and skill to pull it off. Continue reading “Dreadnought – The Endless (Review)”
This is the third album from one-man Canadian black/death metal band Through Mists.
The artist behind Through Mists appears to be very prolific, with a huge amount of material being released on Bandcamp in a short period of time. This is my first Continue reading “Through Mists – Mindless Automatons (Review)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
I’m Josh, I play the drums. Continue reading “Standard Interrogation Techniques: Five Questions for Wake (Interview)”
Wake are a Canadian extreme metal band and this is their fifth album.
The development between Wake’s 2018 album Misery Rites and 2020’s Devouring Ruin was impressive. Both are great records, but Devouring Ruin saw the band take big steps forward, moving their filthy grindcore into expansive blackened extreme metal waters. So what does Thought Form Descent bring us? Continue reading “Wake – Thought Form Descent (Review)”
Panzerfaust are a Canadian black metal band and this is their sixth album.
It was with high expectations that I turned to Panzerfaust‘s new record, and I have not been disappointed. I admit to apprehension when I saw that there were no less than four tracks tagged as interludes. However, only three of these are really interludes, (one is a 6-minute instrumental), and while none of these three are really essential, they’re not complete wastes of space like most interludes are. Regardless, The Suns of Perdition – Chapter III: The Astral Drain is still an exceptional album, so let’s get to it. Continue reading “Panzerfaust – The Suns of Perdition – Chapter III: The Astral Drain (Review)”
Wonderbox Metal 