This is the debut album from Khôrada, a progressive/doom/post-metal band from the US.
Featuring most of the members of the much-missed Agalloch coupled with the singer of Giant Squid, this album contains 55 minutes of contemplative, intelligently-composed music.
Now here’s an album with real emotive power. The music can be loosely termed as progressive post-metal, but there’s a multitude of different styles skilfully incorporated into this release. Continue reading “Khôrada – Salt (Review)”
This is the sixth album from Skeletonwitch, a blackened metal band from the US.
Well, this is not what I was expecting to hear from Skeletonwitch. I confess that I’ve only ever really heard a small amount of the band’s prior material, and what I did hear was kind of a thrash/melodic metal affair, from what I recall. I approached this Continue reading “Skeletonwitch – Devouring Radiant Light (Review)”
Skogen are a Swedish black metal band and this is their fifth album.
Skogen play a mix of black metal and folk, producing an atmospheric and charismatic take on the style. Continue reading “Skogen – Skuggorna Kallar (Review)”
An Argency are a deathcore/metalcore band from Belarus and this is their second album.
So here’s a band that are travelling a path slightly less-worn – self-described as symphonic blackened deathcore, or occult deathcore, Eternal Legacy is the sound of deathcore/metalcore structuring that’s been warped and corrupted by black metal’s sickening touch. Continue reading “An Argency – Eternal Legacy (Review)”
Horizon Ablaze are a Norwegian progressive black/extreme metal band and this is their third album.
Horizon Ablaze play a brand of extreme metal that largely consists of atmospheric/progressive/avant-garde black metal, (among other things). It’s an impressive and well-delivered proposition, that’s for sure. Continue reading “Horizon Ablaze – The Weight of a Thousand Suns (Review)”
Jarun are a Polish progressive black metal band and this is their third album.
This is the follow up to 2015’s very enjoyable Pod Niebem Utkanym z Popiołu, which demonstrated the band’s progressive/folk-influenced black metal very well. Continue reading “Jarun – Sporysz (Review)”
Ne Obliviscaris are an Australian progressive extreme metal band and this is their third album.
Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading “Ne Obliviscaris – Urn (Review)”
Enslaved are a Norwegian progressive black metal band and this is their fourteenth album.
Enslaved have put out so much quality music over the years it’s no wonder that they’re one of many people’s favourite bands, (including mine); they have more than earned that privileged. Continue reading “Enslaved – E (Review)”
Centuries of Decay are a Canadian extreme metal band and this is their debut album.
This is extreme metal that’s both atmospheric and progressive, borrowing liberally from many extreme metal styles and sub-genres, including modern progressive metal, post-metal, death metal, and black metal. Continue reading “Centuries of Decay – Centuries of Decay (Review)”
Behind the Sun are a Progressive Metal band from the US. This is their debut EP.
Behind the Sun play extreme metal that takes a progressive view of its influences, delivering half an hour or so of modern music that engages and satisfies. Continue reading “Behind the Sun – Post Solis (Review)”
Wonderbox Metal 