Doom – Page 26 – Wonderbox Metal

Rorcal – Silence (Review)

Rorcal are a Swiss post-black/doom metal band and this is their sixth album.

Rorcal have shown what they’re capable of very ably on previous releases such as their 2014 split with Process of Guilt, 2016’s κρέων (Creon), 2019’s Muladona, and 2021’s collaboration with Earthflesh, so I was eager to experience the punishment Silence inevitably held in store for me, whatever form it took. On this release we get 42 minutes of new material, and it is not to be approached by the unwary. Continue reading “Rorcal – Silence (Review)”

Tides of Sulfur – Apathy Chasm (Review)

This is the second album from Tides of Sulfur, a blackened sludge metal band from the UK.

Apathy Chasm is the eagerly awaited, (by me at any rate), 39-minute follow up to 2016’s mighty Extinction Curse. Prepare yourself for punishment. The foul music on Apathy Chasm is a merciless blackened amalgamation of fetid death metal and unearthly sludge. Continue reading “Tides of Sulfur – Apathy Chasm (Review)”

Primordial – How It Ends (Review)

Primordial are an Irish metal band and this is their tenth album.

Primordial are a reliably enjoyable band that found a voice of their own early on in their career. They have some top quality albums, the most recent of which was 2018’s Exile Amongst the Ruins. Playing a blackened form of heavy metal and doom, new album How It Ends delivers 66 minutes of Primordial’s inimitable material. Continue reading “Primordial – How It Ends (Review)”

Geist – Blueprints to Moderate Sedation (Review)

This is the second album from UK hardcore band Geist.

Following on from 2019’s Swarming Season, Blueprints to Moderate Sedation provides us with 31 minutes of dark aggression. Combining punk, crust, and metal into an abrasive hardcore intensity, Geist have produced an enjoyable album of dark heaviness. Continue reading “Geist – Blueprints to Moderate Sedation (Review)”

Deadly Carnage – Endless Blue (Review)

Deadly Carnage are a post-black metal band from Italy and this is their fifth album.

Following on from 2018’s Through the Void, Above the Suns, Deadly Carnage have now returned with 39 minutes of new material, and they have returned on fine form. Continue reading “Deadly Carnage – Endless Blue (Review)”

Tideless – Eye of Water (Review)

Tideless are a death/doom metal band from the US and this is their second album.

Eye of Water is a monster of an album, in more ways than one. Running to an imposing 75 minutes, Tideless spew forth five tracks of inhuman death/doom of an unexpected and idiosyncratic synth-enhanced nature. Continue reading “Tideless – Eye of Water (Review)”

Blackbraid – Blackbraid II (Review)

This is the second album from black metal solo act Blackbraid.

Blackbraid I was a very enjoyable album, which showcased the work of a talented new artist. Now though we have the immense Blackbraid II to absorb ourselves in. With a length of 66 minutes,(which includes a Bathory cover), it’s almost double the duration of its predecessor, and reveals that Blackbraid’s debut was no one-hit wonder. Continue reading “Blackbraid – Blackbraid II (Review)”

Torpor – Abscission (Review)

This is the third album from UK sludge/doom metal band Torpor.

Torpor play heavy, mood-focused music that crushes as much as it affectingly moves. Combining sludge, doom, and post-metal into 41 minutes of gritty material, Abscission is a record that is worth hearing if you’re partial to the style. Continue reading “Torpor – Abscission (Review)”

Fossilization – Leprous Daylight (Review)

Fossilization are a Brazilian death metal band and this is their debut album.

Since first encountering Fossilization’s doomed death metal on their split with Ritual Necromancy, I have been looking forward to hearing more from the band. Now their debut Leprous Daylight is here; 37 minutes of foul death metal malevolence delivered to the unsuspecting masses. Continue reading “Fossilization – Leprous Daylight (Review)”

Slomatics – Strontium Fields (Review)

Slomatics are a doom metal band from the UK and this is their seventh album.

They’re heavy, they’re doomy, they’re Slomatics. This is a band that I really, really like. Haven’t heard them? As well as this new record, make sure you check out Future Echo Returns, Canyons, and their splits with Mammoth Weed Wizard Bastard/MWWB and Yanomamo. Continue reading “Slomatics – Strontium Fields (Review)”