As soon as I saw that Friends of Hell featured ex-members of Electric Wizard and Reverend Bizarre, I knew I wanted to sample its wares. I haven’t been disappointed. Continue reading “Friends of Hell – Friends of Hell (Review)”
I like Cardinals Folly very much, (see here, here, and here), so it’s always a pleasure to hear new material from them. On this split the band give us 18 minutes of new music divided into three songs. Continue reading “Cardinals Folly/Purification – Possessed in the Ritual Grove – Split (Review)”
I have a definite soft spot for Cardinals Folly, and I’d recommend the likes of Our Cult Continues! and Deranged Pagan Sons to anyone who enjoys charismatic doom metal with larger-than-life vocals. Defying the Righteous Way is the band’s latest chapter, and it’s damn good one, worthy of inclusion in the Cardinals Folly saga. Continue reading “Cardinals Folly – Defying the Righteous Way (Review)”
I have a certain fondness for Cardinals Folly’s second album Our Cult Continues!. This was basically an hour of fuzzy traditional doom metal which had plenty of character and personality. Continue reading “Cardinals Folly – Deranged Pagan Sons (Review)”
Trading in the type of Traditional Doom from the likes of Reverend Bizarre and 40 Watt Sun, they mix this blueprint with a bit of character and personality, Cathedral-style.
Cardinals Folly start the album off with a nice slow burner of a song Chant of Shadows before moving into Morbid Glory which introduces us proper to the band’s fuzzy, Old-School style.
Laid back vocals soar over the top of groovy drums and melodic guitar before settling into a nice riff; the theme may be familiar to Traditional Doom fans but the important thing is that Cardinals Folly know their stuff and the songs are enjoyable.
Sometimes the band hit upon a particularly hypnotic piece of dirge and I find myself staring into nothingness, just losing myself in the song and forgetting what I was doing.
Wait, what was I saying?
There is also somewhat of a Black Metal tinge to some of this. It’s probably not intentional, but the slightly scuzzy sound combined with some particular riffs…it’s just a shade of Black but it adds a nice feeling to the tracks when it shows.
This is an album to absorb as a whole; to let it seep and wash over you in waves of Doom.