This is the second album from French death metal band Hybrid Sheep.
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading “Hybrid Sheep – Hail to the Beast (Review)”
Fit for an Autopsy are a modern death metal/deathcore band from the US and this is their fourth album.
Hot on the heels of last year’s short split release The Depression Sessions, The Great Collapse is 41 minutes of state of the art crushing brutality. Continue reading “Fit for an Autopsy – The Great Collapse (Review)”
So This Is Suffering are a technical death metal/deathcore band from the US. This is their fourth album.
Palace of the Pessimist has a nicely heavy sound. So much so that you might be concerned about coming away from the album a lot flatter, a lot more squashed than you once were, so weighty is the band’s serrated assault. Oh, and you’ll be bleeding too. Continue reading “So This Is Suffering – Palace of the Pessimist (Review)”
This is the debut album from US deathcore band I Am.
Life Through Torment is 28 minutes of aural thuggery that blends groovy heaviness with savage extremity.
Mixing 90s styled metalcore with elements of modern deathcore, this is Continue reading “I Am – Life Through Torment (Review)”
This is the third album from German brutal death metallers Acranius.
Slam! Bash! Death! Crunch! Destroy! Chug! Squeal! Blammo!
Here’s a band that loves to chug. Heavy chugs and vicious slamming beatdowns mean only one thing; it’s time to break out your best dance moves and head on into the mosh pit. Continue reading “Acranius – Reign of Terror (Review)”
Aversions Crown are a death metal band from Australia. This is their second album.
This is modern, sophisticated death metal with haunting atmospherics that accompany the relentless brutality. With a science fiction theme that provides an overarching story for the album, Aversions Crown spend 50 minutes telling a brutal and engaging tale. Continue reading “Aversions Crown – Xenocide (Review)”
The Last Ten Seconds of Life are a US metal band, this is their third album.
What happens when deathcore runs out of room to expand within its restrictive genre confines and needs to spread its wings into a wider world? The Violent Sound is what happens.
Mixing the heavy, low-end rumble of deathcore with a slice of nu-metal, The Last Ten Seconds of Life have a sound that is largely one of their own in 2016. Continue reading “The Last Ten Seconds of Life – The Violent Sound (Review)”
Ion Dissonance are a Canadian hardcore/mathcore band. This is their fifth album.
As one of the leading lights in the hardcore/mathcore/whatever scene, Ion Dissonance’s new album certainly has a lot of expectations attached to it. Of course, as you would expect, the band Continue reading “Ion Dissonance – Cast the First Stone (Review)”
This is the second album from Vulvodynia, a death metal band from South Africa.
Vulvodynia specialise in a form of brutal death metal that features a large helping of slam, beatdowns and deathcore/whatever – basically it’s brutal, bouncy and smashes the Hell out of everything around it.
This is heavy and groovy, designed to fuel violence in mosh pits Continue reading “Vulvodynia – Psychosadistic Design (Review)”
This is a split release between three modern death metal/deathcore bands, featuring one original song and one cover song from each artist. Thy Art Is Murder are from Australia, and The Acacia Strain and Fit for an Autopsy are from the US.
Thy Art Is Murder contribute the song They Will Know Another and a cover of Rammstein’s Du Hast, for a total of 9 minutes of music.
They Will Know Another showcases the familiar roars of the band’s vocalist alongside mid-paced Continue reading “Thy Art Is Murder/The Acacia Strain/Fit for an Autopsy – The Depression Sessions – Split (Review)”
Wonderbox Metal 