Coltsblood are a doom band from the UK and this is their third album.
Following on from 2019’s split with Un, (which I thoroughly enjoyed), it’s great to have a new album from Coltsblood to get to grips with. It’s four songs, 42 minutes of hideous blackened doom nastiness. Continue reading “Coltsblood – Obscured into Nebulous Dusk (Review)”
Trivax are an Iranian/UK black metal band and this is their third album.
Trivax made a good start with 2017’s SIN, but then totally ascended a level with its 2023 follow up Eloah Burns Out – a record that has only grown in power over time. Relatively quickly though we now have the 43-minute The Great Satan, and it’s time to see if a speedy turnaround has been good to Trivax or not. Continue reading “Trivax – The Great Satan (Review)”
Unmerciful are a US death metal band and this is their fourth album.
It’s not too often a new Unmerciful album rolls around, but when it does, (2016’s Ravenous Impulse, 2020’s Wrath Encompassed), it’s always a tasty treat of death metal. Devouring Darkness is a 38-minute monster – ten tracks of unrelenting brutality, (which includes an Origin cover). Continue reading “Unmerciful – Devouring Darkness (Review)”
This is the latest EP from US grindcore band Full of Hell.
A new 15 minutes of Full of Hell‘s scathingly charismatic grindcore? Hell yes! Broken Sword, Rotten Shield is a compendium of different influences, all brought together with the band’s consummate skill into seven adventurous tracks. It’s harsh, but delightful. Continue reading “Full of Hell – Broken Sword, Rotten Shield (Review)”
This is the fourth album from Brazilian death metallers Escarnium.
Inexorable Entropy contains 31 minutes of ferocious death metal brutality. Escarnium’s furious assault is a satisfying and enjoyable one. Continue reading “Escarnium – Inexorable Entropy (Review)”
This is the debut album from French blackened death metal band Hexekration Rites.
Brought to us by an ex-member of Azziard, Hexekration Rites play a darkly brutal mix of black and death metal. Misanthropic Path of Carnal Deliverance is a 44-minute record that will destroy everything around you quite convincingly. Continue reading “Hexekration Rites – Misanthropic Path of Carnal Deliverance (Review)”
This is the debut album from US death metal band Blood Monolith.
The Call of Fire contains 28 minutes of death metal, and is brought to us by current/ex-members of Genocide Pact, Nails, Ulthar, Undeath, and Vastum. Blood Monolith are ruthlessly savage, delivering a record that’s murderously good. Continue reading “Blood Monolith – The Calling of Fire (Review)”
This is the second album from international death metal band Jade.
As a subgenre, atmospheric death metal never really took off like its black metal counterpart did. However, if you want a good example of what it might look like, then look no further than Jade. Making a good impression with 2022’s The Pacification of Death, and cementing this with last year’s split with Sanctuarium, the 43-minute Mysteries of a Flowery Dream is one I’ve been looking forward to. Continue reading “Jade – Mysteries of a Flowery Dream (Review)”
This is the second album from Lust Hag, a solo black metal act from the US.
I didn’t expect a new Lust Hag album so soon after the artist’s first one from last year, but I shouldn’t have been surprised I suppose. After all, since then, she has also released Prayers Unanswered, (a split with Reaping Fields,), and a split with Genital Shame. As a big fan of Lust Hag, the 44-minute Irrevocably Drubbed is very well-received. Continue reading “Lust Hag – Irrevocably Drubbed (Review)”
Behemoth are a Polish blackened death metal band and this is their thirteenth album.
I thoroughly enjoyed 2018’s I Loved You at Your Darkest, but somehow missed its follow up. Not so with The Shit ov God, which gives us – dodgy name aside – 39 minutes of new material from Behemoth’s charismatic blend of death and black metal. Continue reading “Behemoth – The Shit ov God (Review)”
Wonderbox Metal 