Abhasa are a atmospheric black metal/dark ambient band from the US, and this is their debut album. It’s actually a remastered version of the original album that came out last year, (which I haven’t heard).
Abhasa’s mysterious and esoteric blend of post-black metal, sludge, and dark ambient is a ritualistic journey into bleak atmosphere. This is 50 minutes of dark mood music, combining blackened soundscapes with minimal ambience. Continue reading “Abhasa – १ (Review)”
This is the debut album from Golden Light, a black metal band from the US.
Although a new project, featuring the artists behind bands such as Njiqahdda and Crown of Asteria, this is black metal delivered by people that know what they’re doing. Continue reading “Golden Light – Sacred Colour of the Source of Light (Review)”
This is the second album from UK post-black metallers Kassad.
Following on from 2017’s Turn Faces Away, Kassad now provide us with London Orbital, a dystopian concept album that’s modern and crushing in its bleak portrayal of near-future existence. Continue reading “Kassad – London Orbital (Review)”
This is the second album from Aludra, a black metal band from the US.
This is cosmic-themed black metal, raw and hostile. The album features the vocalist of Ancient Hostility, and her piercing shrieks ring out from the music in streaks of colourless power. Her performance is enjoyable and forceful, providing the songs Continue reading “Aludra – Mass Stellar Graves (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
Abigorum are a black/doom metal band from Russia/Germany and this is their debut album.
Exaltatus Mechanism contains 46 minutes of blackened soundscapes filled with bleak, ritualistic occult atmosphere and daemonic presence. Continue reading “Abigorum – Exaltatus Mechanism (Review)”
This is the second album from Spanish doom/heavy metallers Totengott.
This immense album is a hard one to describe with genre tags. It’s a mix of doom and thrash/heavy metal, but with elements of black, death, and progressive metal added in too, (as well as forays into dark ambient waters). The promo blurb mentions Continue reading “Totengott – The Abyss (Review)”
This is the latest album from US drone/noise band Clawing
I like Clawing. I mean, in the way that I like getting my eyes scratched out. This is a deeply unpleasant band producing deeply unpleasant music. As I’m sure I’ve stated previously, this is not normally my kind of thing. Noise/drone Continue reading “Clawing – Labour (Review)”
This is a split between two US doom metal bands – Primitive Man and Unearthly Trance.
After an initial 60 seconds of savage noise, which is apparently a collaborative effort between both bands, we get two ugly, nasty pieces of venom from Primitive Man lasting 20 minutes in total. Continue reading “Primitive Man/Unearthly Trance – Split (Review)”
Gnaw Their Tongues and Crowhurst are both one man projects. The former is from the Netherlands and the latter is from the US. Both specialise in experimental/black metal music, and they have collaborated for this release. Continue reading “Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum: A Collaboration (Review)”
Wonderbox Metal 