Zeit are an Italian hardcore band and this is their latest EP.
It seems like only yesterday that 2015’s The World Is Nothing tore into the world with their brand of dissonant, violent Hardcore. The band are now back with a new EP, consisting of three originals and an At the Gates cover. It’s 11 minutes of intensity. Continue reading “Zeit – Monument (Review)”
Ion Dissonance are a Canadian hardcore/mathcore band. This is their fifth album.
As one of the leading lights in the hardcore/mathcore/whatever scene, Ion Dissonance’s new album certainly has a lot of expectations attached to it. Of course, as you would expect, the band Continue reading “Ion Dissonance – Cast the First Stone (Review)”
Razor Sharp Death Blizzard are from the UK and play hardcore.
The UK seems to have such a knack for producing some of the angriest, filthiest, nastiest extreme music out there, and Razor Sharp Death Blizzard are a great addition to the wealth of talent that’s available from the country.
This is 36 minutes of hardcore punk and ugly sludge metal that recalls a good mix of Continue reading “Razor Sharp Death Blizzard – You Will Burn (Review)”
Trap Them are a hardcore band from the US. This is their fifth album.
Trap Them play dark hardcore, full of raw nastiness and rabid bite.
The singer has the perfect voice for this kind of thing; completely feral and utterly aggressive. His high-pitched screaming shouts lash out from the music like dangerous bladed weapons, eager to draw blood. With compelling rhythms and engaging, memorable vocal patterns, his voice is the driving factor and focal point for the dark music. Continue reading “Trap Them – Crown Feral (Review)”
Remote are a French hardcore band and this is their second album.
You’ve gotta love dark, violent music that creates oppressive, negative atmospheres. Yes? Oh come on, of course you do.
Combing chaotic hardcore, crushing sludge, dark metal and inventive post-hardcore, Remote present us with 33 minutes of angst-ridden darkness that aims to cause damage. Continue reading “Remote – Resilient (Review)”
Crowhurst are from the US, and are an extremely prolific band with lots of noise/experimental/etc. releases. Their self titled album from 2015 was especially of interest, as it was essentially a pure black metal album, and a very good one at that.
Fast forward a year, and they have now released II. This continues the black metal theme started by their previously mentioned album, only this time with a wider scope and with industrial/sludge aspects, as well as contributions from members Continue reading “Crowhurst – II (Review)”
This is the début album from this US metallic hardcore band, Poison Headache.
Featuring an album cover that immediately grabs the attention, this is a band that fuses hardcore and metal into an ugly ball of condensed violence.
Hearing this description, and knowing that there is an ex-member of As I Lay Dying Continue reading “Poison Headache – Poison Headache (Review)”
This is the début album from Swedish hardcore band Snake Tongue.
Snake Tongue play modern chaotic hardcore with a violent punk edge to it, recalling a cross between Converge, All Pigs Must Die and Botch.
Heavy, rhythmic hardcore merges together with Continue reading “Snake Tongue – Raptor’s Breath (Review)”
This is the début album from Italian Hardcore band Zeit.
With a good sound that has a fair trade-off between warmth and cold harshness, Zeit spend almost 24 minutes demonstrating their brand of dissonant, violent Hardcore.
Intensive Square are a Technical Metal band from the UK. This is their début album.
This is Technical Metal played with a love of both complexity and crushing rhythms. There’s a Hardcore side to the band that’s combined with a firm Metal base, resulting an album that combines elements of such diverse bands as Botch, Converge, Johnny Truant, Meshuggah, Circle Takes the Square, Pyrrhon, Today Is the Day, Scarlet, Frontierer, Sikth, Periphery and many others.
Featuring a splenetic vocalist who has a vicious screamed shout, these songs provide a satisfying ear-bashing while also catering to those who like a bit of technicality and complexity with their beatings. It doesn’t go too far down the complexity route though, as there’s plenty of big rhythms and grooves provided to get the listener moving and jerking around the place in strange movements.
The album lasts 45 minutes and provides a meaty feast for anyone into this kind of thing.
Give them a listen.
Wonderbox Metal 