Deadly Carnage are a post-black metal band from Italy and this is their fifth album.
Following on from 2018’s Through the Void, Above the Suns, Deadly Carnage have now returned with 39 minutes of new material, and they have returned on fine form. Continue reading “Deadly Carnage – Endless Blue (Review)”
This is the second album from one-man US black metal band Białywilk.
Zmora contains 30 minutes of atmospheric black metal, brought to us by an ex-member of Vukari. On Zmora the artist provides us with a rich expression of atmospheric music. Documenting the struggles of sleep deprivation and insomnia, it’s a journey into Białywilk’s passionate style. Continue reading “Białywilk – Zmora (Review)”
Agriculture are a black metal band from the US and this is their debut album.
Agriculture is a 31-minute black metal album that combines post-black metal, blackgaze, noise rock, and post-rock ingredients into a charismatic whole. Agriculture, (who contain a member of Ehnahre), are a band that play with passion and energy, and this is a release that is hideously enjoyable if you’re a fan of the style. Continue reading “Agriculture – Agriculture (Review)”
This is the third album from US one-man post-metal band Breaths.
Having really enjoyed 2022’s Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt, I knew I wanted to check out what Flotuit had to offer. This new album might have a much shorter title, but has a lot longer duration at 65 minutes. Has this extra time been well spent? Continue reading “Breaths – Floruit (Review)”
This is the debut album from US black metal band Another Black Autumn.
Containing members of Canis Dirus and Crown of Asteria, Another Black Autumn play atmospheric black metal. Across 31 minutes the band demonstrate a keen ability at producing black metal that doesn’t always do what you expect it to do. Continue reading “Another Black Autumn – Resplendent Apparitions at the Dawn (Review)”
This is the third album from Aodon, a black metal band from France.
Portraits is the follow up to 2020’s 11069, and features 46 minutes of sleek, quality material. If you liked 11069, then Portraits is the upgraded version. Continue reading “Aodon – Portraits (Review)”
This is the second album from UK mathcore band Pupil Slicer.
With a sci-fi theme and a range of different influences, Blossom is a 46-minute journey into Pupil Slicer’s absorbingly intense world. The promo blurb states bands such as Nine Inch Nails, Deafheaven, Radiohead, and Botch as prime influences, and this should set the scene for what is a broad and compelling work. Continue reading “Pupil Slicer – Blossom (Review)”
This is the second album from Indonesian post-black metal band Numeron.
Road to Valhalla is a 43-minute exploration of atmospheric black metal and blackgaze, delivered in a post-black metal package that’s passionately performed. Numeron have produced a well-crafted slice of expressive darkness. Continue reading “Numeron – Road to Valhalla (Review)”
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
Downfall of Gaia are a German post-black metal band and this is their sixth album.
Following on from 2016’s Atrophy and 2019’s Ethic of Radical Finitude, Sillhouettes of Disgust brings us a new 45 minutes of Downfall of Gaia’s idiosyncratic mix of black metal, post-metal, sludge, blackgaze, and crust. Continue reading “Downfall of Gaia – Silhouettes of Disgust (Review)”
Wonderbox Metal 