Insanity Cult are a black metal band from Greece and this is their fourth album.
New Insanity Cult is always worth taking time out of your busy day to explore. Κάθοδος, (or Kathodos), contains 37 minutes of material for us to experience, and is their shortest and most caustic record yet. Continue reading “Insanity Cult – Κάθοδος (Review)”
This is the third album from Sepulchral Curse, a Finnish death metal band.
Sepulchral Curse have never let me down yet. Ever since discovering their dark brand of extremity on their 2016 EP At the Onset of Extinction, they have loomed large in my mind as quality purveyors of blackened death metal. Their first two albums – 2020’s Only Ashes Remain and 2023’s Abhorrent Dimensions – were both extremely enjoyable, so we turn to their third one with great expectations. Continue reading “Sepulchral Curse – Crimson Moon Evocations (Review)”
Havukruunu are a Finnish black metal band and this is their fourth album.
Tavastland is the 54-minute follow up to 2020’s well-regarded Uinuos Syömein Sota, and is an album I’ve been looking forward to hearing. Havukruunu play black metal with heavy, folk, and pagan metal influences, and their latest record continues their ascent. Continue reading “Havukruunu – Tavastland (Review)”
Gràb are a German black metal band and this is their second album.
Containing ex-members of Dark Fortress and Winterfylleth, Gràb play classic black metal with a heart that belongs to the 90s. They do this it exceedingly well too. Continue reading “Gràb – Kremess (Review)”
This is the third album from US death metallers Pissgrave.
Malignant Worthlessness contains 31 minutes of foul death metal extremity. It’s intense and brutal, but not delivered without skill. For all the rampant aggression and disgusting brutality on display, Pissgrave also know how to write a death metal song that hits the spot. Continue reading “Pissgrave – Malignant Worthlessness (Review)”
Cross Bringer are a black metal band from Russia and this is their second album.
Brought to us by the singer of Predatory Void and the drummer of Downfall of Gaia, Healismus Aeternus contains 27 minutes of scathing modern black metal. Taking influences from post-black metal, blackened hardcore, and crust, and building them into a whirlwind of intricate ferocity, Healismus Aeternus is a rewarding album that should find favour with fans of bands such as Black Birch, Celeste, Hexis, Rorcal, Still, The Sun’s Journey Through the Night, and Wiegedood. Continue reading “Cross Bringer – Healismus Aeternus (Review)”
This is the fifth album from Abduction, a UK black metal band.
So, Abduction played this album live in full way back in February of 2024. It has been what feels like an age since then, so it’s great to finally get my grubby paws on it. And do you know what? This is some seriously good stuff. Continue reading “Abduction – Existentialismus (Review)”
Räum are a Belgian black metal band and this is their second album.
Following on from 2023’s Cursed by the Crown comes the 44-minute Emperor of the Sun. This new record builds on Räum’s past achievements, making for a very enjoyable slice of modern black metal. Continue reading “Räum – Emperor of the Sun (Review)”
Decline of the I are a French post-black metal band and this is their fifth album.
Ahh, I do so enjoy a new Decline of the I album. Every album I seem to like more and more too. 2015’s Rebellion, 2018’s Escape, and especially 2021’s Johannes, were all very good records, and I’d recommend them all. Which brings us to Wilhelm, and the 48 minutes of new material it has to offer us. Continue reading “Decline of the I – Wilhelm (Review)”
Bleeding Through are a metalcore band from the US and this is their ninth album.
It has been some time since the last Bleeding Through album, (2018’s Love Will Kill All), but fresh off the back of seeing the band last year at 2024’s Damnation Festival, I have been looking forward to getting stuck into Nine. Continue reading “Bleeding Through – Nine (Review)”
Wonderbox Metal 