This is the second album from US black/death metal band Drouth.
It’s been five long years since 2020’s Excerpts from a Dread Liturgy, but now Drouth are back, with a new bassist in tow, (current/ex-Cormorant/Ursa). So, let’s turn our attention to the five new songs we have here in the form of the 41-minute The Teeth of Time. Continue reading “Drouth – The Teeth of Time (Review)”
This is the third album from Рожь (otherwise known as Rye), a one-man blackened doom band from Russia.
2023’s Всё was a record that made a strong impression, so it’s good to now have 40 minutes of new material from the artist behind Рожь. Знание contains just three tracks, but each is worth spending time with, as we’ll see. Continue reading “Рожь (Rye) – Знание (Review)”
This is the third album from French solo experimental act Mütterlein.
Following on from 2021’s split with Limbes and then debut album Bring Down the Flags, we now have the 40-minute Amidst the Flames, May Our Organs Resound. Continue reading “Mütterlein – Amidst the Flames, May Our Organs Resound (Review)”
This is the second album from Lust Hag, a solo black metal act from the US.
I didn’t expect a new Lust Hag album so soon after the artist’s first one from last year, but I shouldn’t have been surprised I suppose. After all, since then, she has also released Prayers Unanswered, (a split with Reaping Fields,), and a split with Genital Shame. As a big fan of Lust Hag, the 44-minute Irrevocably Drubbed is very well-received. Continue reading “Lust Hag – Irrevocably Drubbed (Review)”
Ghost Bath are a depressive black metal band from the US and this is their fifth album.
I do like a bit of Ghost Bath. Both 2017’s Starmourner and 2021’s Self Loather were very enjoyable, despite actually being quite different. Out if the two, Rose Thorn Necklace is probably closer in style overall to Self Loather, although is by no means a repeat of it. Continue reading “Ghost Bath – Rose Thorn Necklace (Review)”
Behemoth are a Polish blackened death metal band and this is their thirteenth album.
I thoroughly enjoyed 2018’s I Loved You at Your Darkest, but somehow missed its follow up. Not so with The Shit ov God, which gives us – dodgy name aside – 39 minutes of new material from Behemoth’s charismatic blend of death and black metal. Continue reading “Behemoth – The Shit ov God (Review)”
Acceptance are a post-black metal band from the UK and this is their debut album.
Previously known as Fatalist, (with an album under that name, so whether this is their first or second I suppose is up for debate), Acceptance exist at an interesting intersection between atmospheric black metal, sludge, blackgaze, and post-rock. Continue reading “Acceptance – Crucifixion of Orchids (Review)”
A Flock Named Murder are a black/extreme metal band from Canada and this is their second album.
Incendiary Sanctum only contains four tracks, but has a running time of 64 minutes. A Flock Named Murder are ambitious, and use this time to explore a hybrid sound that combines elements of black, death, doom, and post-metal together very effectively. Continue reading “A Flock Named Murder – Incendiary Sanctum (Review)”
This is the third album from Australian post-metal solo band Cave Sermon.
On Fragile Wings the artist behind Cave Sermon has created an interesting and enjoyable 4o minutes of music. It’s a hybrid style, combining death, black, sludge, progressive, and post-metal, resulting in an album that covers a lot of bases in a well-blended, immersive way. Continue reading “Cave Sermon – Fragile Wings (Review)”
This is the debut album from German doom band Lightless.
A Foreseen Loss is a crushing 80-minute slab of blackened doom. Lightless play a gargantuan brand of doom mixed with serrated black metal and dark murderous sludge, (along with touches of post-metal and drone). Let me tell you, it doesn’t just hit the spot, but obliterates it. Continue reading “Lightless – A Foreseen Loss (Review)”
